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'Highly enjoyable, and sealed with insider authority ... a primary document of Baconology ... Sylvester brings out what was lovable in his great friend' - Julian Bell, London Review of Books 'A measured look at the legacy of a great artist ... Sylvester is Bacon's representative on this earth, a Boswell to his talk, a cicerone to his paintings' - Richard Shone, Guardian 'Reading David Sylvester on art is like being provided for a while with the ideal companion in one's gallery of choice' - The Art Newspaper 'An extended rumination on Bacon which throws a great deal of light, not only on what made the painter so good, but also on what makes Sylvester so good ... as it is, it seems most unlikely that any text will ever get closer than this to the truth about Francis Bacon, as man and artist' - Martin Gayford, The Spectator 'A triumphant distillation of Sylvester's views on a painter he so rightly prized ... Sylvester's ability to make illuminating comparisons is superb, and he never forgets that Bacon was also nourished by photography, film and poetry. Above all, though, Sylvester focuses on the paintings themselves. No writer on art scrutinizes the work itself more closely, intently and thoughtfully. He never loses sight of his own, deeply felt response, and conveys it in words that recreate the intensity of looking at Bacon's fierce, profoundly troubled paintings' - Richard Cork, The Times '[Contains] long stretches of gossipy intellectual sustenance' - RA Magazine 'Every page offers something valuable. The reproductions are the best there are ... anyone interested in Bacon will want this book' - Tom Lubbock, Evening Standard 'A very interesting volume, full of useful and illuminating reflections and personal reminiscences' - William Packer, Literary Review 'The best of the critic's studies of the artist ... It's personal, retrospective and gloomy, combining art criticism with biography' - Tim Hilton, Independent on Sunday 'Mr Sylvester's book is an open invitation to look and look again ... There is in Mr Sylvester's writing this complete simplicity that succeeds in placing an idea, not so much in the mind, as in the heart, and thereby frees the reader to have his or her own experience of Bacon ... Of most books on Francis Bacon, Mr Sylvester's book stands head and shoulders above the rest' - Beate Perrey, The Art Newspaper

'Highly enjoyable, and sealed with insider authority … a primary document of Baconology … Sylvester brings out what was lovable in his great friend' - Julian Bell, London Review of Books 'A measured look at the legacy of a great artist … Sylvester is Bacon's representative on this earth, a Boswell to his talk, a cicerone to his paintings' - Richard Shone, Guardian 'Reading David Sylvester on art is like being provided for a while with the ideal companion in one's gallery of choice' - The Art Newspaper 'An extended rumination on Bacon which throws a great deal of light, not only on what made the painter so good, but also on what makes Sylvester so good … as it is, it seems most unlikely that any text will ever get closer than this to the truth about Francis Bacon, as man and artist' - Martin Gayford, The Spectator 'A triumphant distillation of Sylvester’s views on a painter he so rightly prized … Sylvester’s ability to make illuminating comparisons is superb, and he never forgets that Bacon was also nourished by photography, film and poetry. Above all, though, Sylvester focuses on the paintings themselves. No writer on art scrutinizes the work itself more closely, intently and thoughtfully. He never loses sight of his own, deeply felt response, and conveys it in words that recreate the intensity of looking at Bacon’s fierce, profoundly troubled paintings' - Richard Cork, The Times '[Contains] long stretches of gossipy intellectual sustenance' - RA Magazine 'Every page offers something valuable. The reproductions are the best there are … anyone interested in Bacon will want this book' - Tom Lubbock, Evening Standard 'A very interesting volume, full of useful and illuminating reflections and personal reminiscences' - William Packer, Literary Review 'The best of the critic’s studies of the artist … It’s personal, retrospective and gloomy, combining art criticism with biography' - Tim Hilton, Independent on Sunday 'Mr Sylvester’s book is an open invitation to look and look again … There is in Mr Sylvester’s writing this complete simplicity that succeeds in placing an idea, not so much in the mind, as in the heart, and thereby frees the reader to have his or her own experience of Bacon … Of most books on Francis Bacon, Mr Sylvester’s book stands head and shoulders above the rest' - Beate Perrey, The Art Newspaper

'Reading David Sylvester on art is like being provided for a while with the ideal companion in one's gallery of choice' - The Art Newspaper

Author Information

David Sylvester CBE (1924-2001) was a prominent writer, art critic and curator, and a leading authority on René Magritte, Henry Moore and, in particular, Francis Bacon. He first wrote about Bacon's work in the late 1940s, and the pair soon became close friends. Over the next forty years, he was Bacon's Boswell, interpreter, confidant, occasional model and briefly agent. He curated or co-curated numerous major exhibitions at museums around the world, including one-man shows of Picasso, Miró, Magritte, Moore, Giacometti and Bacon. His published books include Interviews with Francis Bacon and the five-volume Magritte catalogue raisonné.

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