Overview

Showcasing diverse methodologies, this volume illuminates London’s role in the development of a European art market at the turn of the nineteenth century. In the late 1700s, as the events of the French Revolution roiled France, London displaced Paris as the primary hub of international art sales. Within a few decades, a robust and sophisticated art market flourished in London.   London and the Emergence of a European Art Market, 1780–1820 explores the commercial milieu of art sales and collecting at this turning point. In this collection of essays, twenty-two scholars employ methods ranging from traditional art historical and provenance studies to statistical and economic analysis; they provide overviews, case studies, and empirical reevaluations of artists, collectors, patrons, agents and dealers, institutions, sales, and practices. Drawing from pioneering digital resources— notably the Getty Provenance Index—as well as archival materials such as trade directories, correspondence, stock books and inventories, auction catalogs, and exhibition reviews, these scholars identify broad trends, reevaluate previous misunderstandings, and consider overlooked commercial contexts.   From individual case studies to econometric overviews, this volume is groundbreaking for its diverse methodological range that illuminates artistic taste and flourishing art commerce at the turn of the nineteenth century.  

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9781606065952

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Reviews

This remarkable book examines the revolutionary transformations of the European art market at the turn of the eighteenth century. Based on British art sales information drawn from the Getty Provenance Index(R), a new picture of auctions, collections, and dealers that changed the European art world during the nineteenth century emerges. -- Dr. Michael North, Professor and Chair of Modern History, University of Greifswald The contributions add valuable detail to the history of the British art market and its connections with other European cultural centers, particularly with Paris. --Michael Hutter Journal of British Studies Empirically groundbreaking and theoretically informed, this volume will be an indispensable read for anyone interested in the history of European art markets. It brings together many of the disciplines' leading scholars, covering a time and place that have so far remained overlooked. -- Olav Velthuis, University of Amsterdam Important. . . . Groundbreaking. --Christoph Vogtherr The Burlington Magazine

"""Important. . . . Groundbreaking."" --Christoph Vogtherr ""The Burlington Magazine"" ""Empirically groundbreaking and theoretically informed, this volume will be an indispensable read for anyone interested in the history of European art markets. It brings together many of the disciplines' leading scholars, covering a time and place that have so far remained overlooked."" -- Olav Velthuis, University of Amsterdam ""The contributions add valuable detail to the history of the British art market and its connections with other European cultural centers, particularly with Paris."" --Michael Hutter ""Journal of British Studies"" ""This remarkable book examines the revolutionary transformations of the European art market at the turn of the eighteenth century. Based on British art sales information drawn from the Getty Provenance Index(R), a new picture of auctions, collections, and dealers that changed the European art world during the nineteenth century emerges."" -- Dr. Michael North, Professor and Chair of Modern History, University of Greifswald"

This remarkable book examines the revolutionary transformations of the European art market at the turn of the eighteenth century. Based on British art sales information drawn from the Getty Provenance Index(R), a new picture of auctions, collections, and dealers that changed the European art world during the nineteenth century emerges. -- Dr. Michael North, Professor and Chair of Modern History, University of Greifswald Empirically groundbreaking and theoretically informed, this volume will be an indispensable read for anyone interested in the history of European art markets. It brings together many of the disciplines' leading scholars, covering a time and place that have so far remained overlooked. -- Olav Velthuis, University of Amsterdam

This remarkable book examines the revolutionary transformations of the European art market at the turn of the eighteenth century. Based on British art sales information drawn from the Getty Provenance Index(R), a new picture of auctions, collections, and dealers that changed the European art world during the nineteenth century emerges. -- Dr. Michael North, Professor and Chair of Modern History, University of Greifswald

""Important. . . . Groundbreaking."" --Christoph Vogtherr ""The Burlington Magazine"" ""Empirically groundbreaking and theoretically informed, this volume will be an indispensable read for anyone interested in the history of European art markets. It brings together many of the disciplines' leading scholars, covering a time and place that have so far remained overlooked."" -- Olav Velthuis, University of Amsterdam ""The contributions add valuable detail to the history of the British art market and its connections with other European cultural centers, particularly with Paris."" --Michael Hutter ""Journal of British Studies"" ""This remarkable book examines the revolutionary transformations of the European art market at the turn of the eighteenth century. Based on British art sales information drawn from the Getty Provenance Index(R), a new picture of auctions, collections, and dealers that changed the European art world during the nineteenth century emerges."" -- Dr. Michael North, Professor and Chair of Modern History, University of Greifswald

Author Information

Susanna Avery-Quash is senior research curator in the history of collecting at the National Gallery, London, where she is in charge of the research area of buying, collecting and display. She has led research projects, organised conferences and published extensively on the history of collecting and the art market. Christian Huemer is director of the Belvedere Research Center, Vienna. From 2008 to 2017 he headed the Project for the Study of Collecting and Provenance at the Getty Research Institute.

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