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Author:   Anna-Teresa Tymieniecka
Publisher:   Springer
Imprint:   Kluwer Academic Publishers
Edition:   1988 ed.
Volume:   24
Dimensions:   Width: 15.50cm , Height: 2.60cm , Length: 23.50cm
Weight:   1.920kg
ISBN:  

9789027725394

ISBN 10:   902772539
Pages:   462
Publication Date:   31 January 1988
Audience:   College/higher education ,  Professional and scholarly ,  Postgraduate, Research & Scholarly ,  Professional & Vocational
Format:   Hardback
Publisher's Status:   Active
Availability:   In Print  
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Table of Contents

Foreground.- I / The Creative Act as the Point of Phenomenological Access to the Human Condition.- II / The Structure of the Present Work.- III / Man-The-Creator and His Triple Telos.- The First Panel of the Triptych the Eros and Logos of Life within the Creative Inwardness.- The Outlines of an Inquiry.- I / The Emergence of the Problem of Creation: The Poet-Creator Versus the Philosopher.- II / Creative Reality.- III / The Factors in the New Alliance Between Man and the World.- The Theoretical Results of Our Analyses and the Perspectives they Open the Creative Context.- Concluding by Way of Transition to the Central Panel of the Triptych.- The Central Panel of the Triptych (Panel Two) the Origin of Sense The Creative Orchestration of the Modalities of Beingness within the Human Condition.- One the Creative Context as Circumscribed by the Creative Process — its Roots “Below” and its Tentacles “Above” the Life-World: Uncovering the Primogenital Status of the Great Philosophical Issues.- I / Art and Nature: Creative Versus Constitutive Perception.- II / The Below and the Above of Creative Inwardness: The Human Life-World in its Essential New Perspective.- III / The Creative Process And The “Copernican Revolution” In Conceiving The Unity Of Beingness: The Creative Process As The Gathered Center and Operational Thread of Continuity among All Modalities of Being in the Constructive Unfolding of Man’s Self-Interpretation-in-Existence.- Two the Trajectory of the Creative Ciphering of the Original Life Significance: The Resources and Architectonics of the Creative Process.- I / The Incipient Phase of the Creative Process.- II / The Creative Trajectory Between the Two Phases of the Life-World.- III / The Passage from the Creative Vision to the Idea of theCreative Work.- IV / Operational Architectonics of the Surging Creative Function in the Initial Creative Constructivism.- V / The Architectonic Logic in the Existential Passage from the Virtual to the Real — The Will.- VI / The Intergenerative Existential Interplay in the Transition Phase of Creativity.- Coda / Conclusive Insights into the Question of “Reality” as the Outcome of Our Foregoing Investigations.- Three the Creative Orchestration of Human Functioning: Constructive Faculties and Driving Forces.- I / The Surging of the Creative Orchestration within Man’s Self-Interpretation-In-Existence: Passivity Versus Activity; The Spontaneous Differentiation of Constructive Faculties and Forces.- II / Imaginatio Creatrix: The “Creative” versus the “Constitutive” Function of Man, and the “Possible Worlds”.- Four the Human Person as the All-Embracing Functional Complex and the Transmutation Center of the Logos of Life.- I / The Notion of the “Human Person” at the Crossroads of the Understanding of Man within the Life-World Process.- II / The Moral Sense of Life as Constitutive of the Human Person.- III / The Poetic Sense: The Aesthetic Enjoyment which Carries the Lived Fullness of Conscious Acts.- IV / The Intelligible Sense in the Architectonic Work of the Intellect.- Notes.- Index of Names.- Index of Subjects.- Table of Contents to Book 2 (The Third Panel of the Triptych).

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