Full Product Details
Author: Barbara Rose Lange (Associate Professor of Ethnomusicology, Associate Professor of Ethnomusicology, University of Houston)
Publisher: Oxford University Press Inc
Imprint: Oxford University Press Inc
Dimensions:
Width: 23.10cm
, Height: 1.80cm
, Length: 15.50cm
Weight: 0.358kg
ISBN: 9780190245375
ISBN 10: 0190245379
Pages: 256
Publication Date: 30 August 2018
Audience:
Professional and scholarly
,
Professional & Vocational
Format: Paperback
Publisher's Status: Active
Availability: Manufactured on demand
We will order this item for you from a manufactured on demand supplier.
Reviews
"""I would certainly recommend this title to any library supporting ethnomusicology or popular music at any level. Additionally, this work would also appeal to those nterested in gender studies, history, and/or politics. The numerous case studies bring theory to life and offer much to consider in an environment that underwent significant political, social, and economic change. Lange provides unique insights on central Europe's changing musical landscape, as well as how the Internet and changes in the music business impact musicians."" -- Joe C. Clark, Kent State University, Fontes Artis Musicae ""offers a fine series of manageably sized case studies that explore complex issues and intricate developments in telling detail, and without recourse to jargon. Students of modern Central Europe and of relationships between music, politics, and gender will enjoy reading it very much."" -- Christopher Goertzen, Journal of Folklore Research"
I would certainly recommend this title to any library supporting ethnomusicology or popular music at any level. Additionally, this work would also appeal to those nterested in gender studies, history, and/or politics. The numerous case studies bring theory to life and offer much to consider in an environment that underwent significant political, social, and economic change. Lange provides unique insights on central Europe's changing musical landscape, as well as how the Internet and changes in the music business impact musicians. -- Joe C. Clark, Kent State University, Fontes Artis Musicae offers a fine series of manageably sized case studies that explore complex issues and intricate developments in telling detail, and without recourse to jargon. Students of modern Central Europe and of relationships between music, politics, and gender will enjoy reading it very much. -- Christopher Goertzen, Journal of Folklore Research
offers a fine series of manageably sized case studies that explore complex issues and intricate developments in telling detail, and without recourse to jargon. Students of modern Central Europe and of relationships between music, politics, and gender will enjoy reading it very much. -- Christopher Goertzen, Journal of Folklore Research
offers a fine series of manageably sized case studies that explore complex issues and intricate developments in telling detail, and without recourse to jargon. Students of modern Central Europe and of relationships between music, politics, and gender will enjoy reading it very much. * Christopher Goertzen, Journal of Folklore Research *
Author Information
Barbara Rose Lange is Associate Professor of Ethnomusicology at the Moores School of Music, University of Houston. She writes about folk and popular music in Central Europe, especially the art of the Romani (Gypsy) people. She is author of Holy Brotherhood: Romani Music in a Hungarian Pentecostal Church (Oxford, 2003).
