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OverviewFull Product DetailsAuthor: Paul Sanden (University of Lethbridge, Canada)Publisher: Taylor & Francis Ltd Imprint: Routledge Dimensions: Width: 15.20cm , Height: 2.30cm , Length: 22.90cm Weight: 0.570kg ISBN: 9780415895408ISBN 10: 0415895405 Pages: 206 Publication Date: 18 December 2012 Audience: College/higher education , Tertiary & Higher Education , Undergraduate Format: Hardback Publisher's Status: Active Availability: In Print ![]() This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us. Table of Contents"1. Introduction 2. A Theory of Liveness in Mediatized Music 3. Hearing Glenn Gould’s Body: Corporeal Liveness in Recorded Music 4. Reconsidering Fidelity: Authenticity, Historicism, and Liveness in the Music of The White Stripes 5. Interactive Liveness in Live Electronic Music 6. Virtual Liveness and Sounding Cyborgs: John Oswald’s ""Vane"" 7. Performing Cyborgs: The Flaying of Marsyas and Turntablism 8. Conclusion Notes References Index"ReviewsAuthor InformationPaul Sanden teaches Music History at the University of Lethbridge, Canada. Tab Content 6Author Website:Countries AvailableAll regions |