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OverviewFrom the everyday concerns of Umberto D to the spiritual traces of Ma nuit chez Maud, revelatory moments are intrinsic to the fabric of cinematic modernism. Lived Moments conceptualizes the path from Italian Neorealism to the French New Wave as a trajectory unique in its expressions of the indeterminacy and contingency of daily life. Drawing on film theory and criticism as well as the history of phenomenological thought, Glen Norton offers illustrative readings of cinematic scenes exemplifying this modernist evolution in canonical films by Vittorio De Sica, Roberto Rossellini, Michelangelo Antonioni, Jean-Luc Godard, and Eric Rohmer. Norton describes how these filmmakers structure their characters’ lifeworlds via moments grounded by chance and multiplicity, each having the potential to lift the opaque veil of inwardness. Experienced in their immediacy, these moments offer the viewer glimpses of a character’s potential individuation. As such, they embody the difficult, private, and perhaps even incommunicable choices made in the midst of self-reflection, self-awareness, and self-definition. Lived Moments deepens our understanding of the history of cinematic modernism, throwing new light on the canonical movements of Neorealism and the New Wave while also demonstrating the importance of lived moments for cinema more broadly. The book stands as a model of how film analysis and film philosophy can be symbiotic rather than separate ways of thinking about cinematic experience. Full Product DetailsAuthor: Glen W. NortonPublisher: McGill-Queen's University Press Imprint: McGill-Queen's University Press ISBN: 9780228023555ISBN 10: 0228023556 Pages: 240 Publication Date: 07 January 2025 Audience: College/higher education , Postgraduate, Research & Scholarly Format: Hardback Publisher's Status: Active Availability: In Print This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us. Table of ContentsReviews“A rare work of erudition and style. Even readers who do not have a feel or taste for philosophy will appreciate Norton’s careful analysis.” Brian Price, University of Toronto “Through attentive and informative analyses, Norton presents new ways of thinking about canonical films in Italian Neorealism and the French New Wave.” Marc Furstenau, Carleton University Author InformationGlen W. Norton teaches in the Department of English and Film Studies at Wilfrid Laurier University. Tab Content 6Author Website:Countries AvailableAll regions |
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