John Keats in Context

Author:   Michael O'Neill (University of Durham)
Publisher:   Cambridge University Press
ISBN:  

9781107674370


Pages:   391
Publication Date:   11 July 2019
Format:   Paperback
Availability:   Manufactured on demand   Availability explained
We will order this item for you from a manufactured on demand supplier.

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John Keats in Context


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Full Product Details

Author:   Michael O'Neill (University of Durham)
Publisher:   Cambridge University Press
Imprint:   Cambridge University Press
Dimensions:   Width: 15.00cm , Height: 1.90cm , Length: 22.90cm
Weight:   0.500kg
ISBN:  

9781107674370


ISBN 10:   1107674379
Pages:   391
Publication Date:   11 July 2019
Audience:   College/higher education ,  Postgraduate, Research & Scholarly
Format:   Paperback
Publisher's Status:   Active
Availability:   Manufactured on demand   Availability explained
We will order this item for you from a manufactured on demand supplier.

Table of Contents

Part I. Life, Letters, Texts: 1. Biographies and film Sarah Wootton; 2. Formative years and medical training Nicholas Roe and Hrileena Ghosh; 3. Surgery, science and suffering Nicholas Roe; 4. Fanny Brawne and other women Heidi Thomson; 5. Mortality Shahidha Bari; 6. Travel Jeffrey C. Robinson; 7. Letters Madeleine Callaghan; 8. Manuscripts and publishing history John Barnard; Part II. Cultural Contexts: 9. The Hunt circle and the Cockney School Gregory Leadbetter; 10. London Timothy Webb; 11. Politics Richard Cronin; 12. Sociability Grant F. Scott; 13. The visual and plastic arts Nancy Moore Goslee; 14. Religion and myth Anthony John Harding; Part III. Ideas and Poetics: 15. The Enlightenment and history Porscha Fermanis; 16. Keats and Hazlitt Duncan Wu; 17. Imagination, beauty and truth Charles W. Mahoney; 18. The poetical character Seamus Perry; 19. The senses and sensation Stacey McDowell; 20. Prosody and versification in the Odes Michael O'Neill; Part IV. Poetic Contexts: 21. Poetic precursors (1): Dante and Shakespeare Chris Murray; 22. Poetic precursors (2): Spenser, Milton, Dryden, Pope Beth Lau; 23. Contemporaries (1) (and immediate predecessors): Tighe, Radcliffe, Southey, Burns, Chatterton, Hunt, Wordsworth Michael O'Neill; 24. Contemporaries (2): Coleridge, Byron, Shelley Jane Stabler; 25. Ballad, romance and narrative Andrew Bennett; 26. Epic and tragedy Susan J. Wolfson; 27. Lyrical genres Christopher R. Miller; Part V. Influence: 28. Tennyson to Wilde Herbert F. Tucker; 29. Hardy, Edward Thomas, Stevens, Bishop, Heaney Michael O'Neill; 30. American writing Mark Sandy; Part VI. Critical Reception: 31. Contemporary reviews Kelvin Everest; 32 Critical reception, 1821–1900 Francis O'Gorman; 33. Keats criticism, 1900–63 Matthew Scott; 34. Keats criticism, post-1963 Richard Marggraf Turley.

Reviews

'For new readers of Keats, the problem is staying abreast of 200 fertile years of reviews, criticism and biographies. John Keats in Context works as a curative. The final four essays on reception and Keats scholarship from 1821 to the present (by Kelvin Everest, Francis O'Gorman, Matthew Scott and Richard Marggraf Turley) are essential reading ... In O'Neill's volume, Keats is prevented from settling into a single mode - medical student, cultural observer, reader, philosopher, liberal, friend, nurse, lover - but rather given space to exhibit these fluctuations. The strongest essays follow Keats through critical dicta into less settled territory.' Christy Edwall, The Times Literary Supplement 'Michael O'Neill's edited collection of essays presents very succinct statements on different aspects of Keats's life and writings ... The need for brevity enforces on the writers a compressed succinctness, and the length of each essay is perfect for reading on a half-hour bus journey (I speak from experience). ... The diversity and depth of Keats's involvement in the many contexts represented in O'Neill's excellent collection stimulate reflections on the multi-faceted poet's other interests and influences ... Michael O'Neill and his team in this handsome and well-conceived volume ... have done Keats proud by giving him the contexts which well and truly position him where he wished to be, 'among the English Poets'.' R. S. White, European Romantic Review 'This collection of scholarly reassessments in the interests of 'a full-scale reconsideration of Keats's achievement and its enabling contexts' ... comprises thirty-four short chapters of around ten pages each, organized into six parts: 'Life, Letters, Texts'; 'Cultural Contexts'; 'Ideas and Poetics'; 'Poetic Contexts'; 'Influence'; and 'Critical Reception'.' William Christie, The Review of English Studies `For new readers of Keats, the problem is staying abreast of 200 fertile years of reviews, criticism and biographies. John Keats in Context works as a curative. The final four essays on reception and Keats scholarship from 1821 to the present (by Kelvin Everest, Francis O'Gorman, Matthew Scott and Richard Marggraf Turley) are essential reading ... In O'Neill's volume, Keats is prevented from settling into a single mode - medical student, cultural observer, reader, philosopher, liberal, friend, nurse, lover - but rather given space to exhibit these fluctuations. The strongest essays follow Keats through critical dicta into less settled territory.' Christy Edwall, The Times Literary Supplement `Michael O'Neill's edited collection of essays presents very succinct statements on different aspects of Keats's life and writings ... The need for brevity enforces on the writers a compressed succinctness, and the length of each essay is perfect for reading on a half-hour bus journey (I speak from experience). ... The diversity and depth of Keats's involvement in the many contexts represented in O'Neill's excellent collection stimulate reflections on the multi-faceted poet's other interests and influences ... Michael O'Neill and his team in this handsome and well-conceived volume ... have done Keats proud by giving him the contexts which well and truly position him where he wished to be, 'among the English Poets'.' R. S. White, European Romantic Review 'This collection of scholarly reassessments in the interests of 'a full-scale reconsideration of Keats's achievement and its enabling contexts' ... comprises thirty-four short chapters of around ten pages each, organized into six parts: 'Life, Letters, Texts'; 'Cultural Contexts'; 'Ideas and Poetics'; 'Poetic Contexts'; 'Influence'; and 'Critical Reception'.' William Christie, The Review of English Studies


Author Information

Michael O'Neill is Professor of English at the University of Durham, and has published widely on Romantic, Victorian, and twentieth-century poetry. His works include The Human Mind's Imaginings: Conflict and Achievement in Shelley's Poetry (1989), Romanticism and the Self- Conscious Poem (1997), and The All-Sustaining Air (2007), and, as editor, The Cambridge History of English Poetry (Cambridge, 2010). He is also the co-author (with Michael D. Hurley) of Poetic Form (Cambridge, 2012) and the co-editor (with Anthony Howe and with the assistance of Madeleine Callaghan) of The Oxford Handbook of Percy Bysshe Shelley (2013). His latest collection of poems is Gangs of Shadow (2014).

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