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The finely crafted translations of short fiction and criticism that compose this groundbreaking anthology underscore the crucial role proletarian writers played in the formation of modern Japanese literature. For Dignity, Justice, and Revolution demonstrates brilliantly how these writers critically engaged with the global proletarian movement as they sought to further the cause of class justice and anti-imperialist/antiwar struggle. --Theodore Hughes, Columbia University

Heather Bowen-Struyk is the coeditor of Red Love Across the Pacific and the guest editor for Proletarian Arts in East Asia, a special edition of the journal positions. Norma Field retired in 2011 as the Robert S. Ingersoll Distinguished Service Professor in Japanese Studies at the University of Chicago. Her books include In the Realm of a Dying Emperor.

A significant contribution to the body of English language scholarship and translation of Japanese proletarian literature. . . . This book goes a long way toward filling a gap of neglect in the study of proletarian literature. . . . Highly recommended. -- Choice Even among Anglo-American scholars, proletarian literature in Japan has been largely ignored, which makes this collection of prewar 'red' literature both timely and overdue. Any anthology risks becoming unwieldy, yet this one is lucidly structured around themes such as children, realism and imperialism. . . . The editors have also made the welcome decision to retain self-censored and suppressed passages. -- Japan Times This engaging and in-depth anthology provides the reader and scholar with access to more than the 'greatest hits' of proletarian literature that are currently available in translation, making it possible for the subject to play a larger role in Japanese literature classes. -- Japan Studies For Dignity, Justice, and Revolution fills a major gap in our knowledge of the global movement to create a form for the expression of working people's lived experience during the 'red decade' of the 1930s. This collection opens views onto the struggles of diseased prostitutes, telephone linemen, muslin weavers, fishmongers, farmers, and factory workers, as well as the debates swirling among leftist intellectuals about how to forge solidarity and shape consciousness among men, women, and children; urban and rural dwellers; colonialized Koreans; and former geishas. The editors have brought to light a history hidden by repression and neglect. --Paula Rabinowitz, University of Minnesota For Dignity, Justice, and Revolution is an activist anthology: savvy, vibrant, and engaging. It grabs you, the reader, by the lapels and addresses you directly, with a rare sense of urgency not found in other such collections. This volume is not just welcome; it is an essential guidebook for navigating twentieth-century Japan's literary and political terrain. --Edward Fowler, University of California, Irvine An exceptionally welcome and valuable contribution to the body of translated works of Japanese fiction into English. . . . Carefully crafted 'close' translations, in a positive sense: the proletarian 'feel' of the original is rendered well. -- Journal of Japanese Studies Anyone wishing . . . to engage more deeply with Japan's proletarian literary movement--to a large extent unknown in the West--should reach for [this] English-language volume. . . . With For Dignity, Justice, and Revolution, literature professor Heather Bowen-Struyk and professor emerita of Japanese studies Norma Field have offered a work depicting the full range of the genre. -- junge Welt The finely crafted translations of short fiction and criticism that compose this groundbreaking anthology underscore the crucial role proletarian writers played in the formation of modern Japanese literature. For Dignity, Justice, and Revolution demonstrates brilliantly how these writers critically engaged with the global proletarian movement as they sought to further the cause of class justice and anti-imperialist/antiwar struggle. --Theodore Hughes, Columbia University Two generations ago Frank Motofuji's translation of Kobayashi Takiji's 1929 The Crab Cannery Ship introduced English readers to what was once the world's most articulate left cultural project. Kobayashi experienced a 2008 best-selling boom in a Japan weary of two decades of economic decline, but Bowen-Struyk and Field note that scholars largely 'ignore' the genre. Now that has changed. These excellent translations of excellent writers make timely reading, as Marxism revives in the face of a current century that will be far different at its conclusion from today. --John Treat, Yale University The thread of thought underlying the stories in Field and Bowen-Struyk's anthology is not an obsolete or vanished one, but is, as Edmund Wilson eloquently established in To the Finland Station, one of the fundamental components of our contemporary consciousness. -- Kyoto Journal

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Heather Bowen-Struyk is the coeditor of Red Love Across the Pacific and the guest editor for Proletarian Arts in East Asia, a special edition of the journal positions. Norma Field retired in 2011 as the Robert S. Ingersoll Distinguished Service Professor in Japanese Studies at the University of Chicago. Her books include In the Realm of a Dying Emperor.

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