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OverviewLiterature and the Telephone explores the ways that the telephone taps into the operations of reading and writing, opening up our understanding of how, where and why literary communication takes place. Addressing the telephone’s complex, multiple and mutating functions, and drawing on recent work by writers and thinkers including Sara Ahmed, Stacy Alaimo, Judith Butler, Nicholas Royle and Eyal Weizman, this open access book considers the linguistic, technical and conceptual disruptions of the literary telephone as well as the poetic and political possibilities of the exchange. Focusing on the telephonic effects of post-war writing by authors such as Mourid Barghouti, Caroline Bergvall, Tom Raworth, Muriel Spark, Ali Smith and Rita Wong, Sarah Jackson proposes that the uncanny logic of the telephone, and its capacity for ordering and disordering the text, speaks to some of the most urgent concerns of our era. Examining topics ranging from surveillance and migration to warfare and electronic waste, Jackson argues that the literary telephone offers new ways of conceiving ethical and creative technological futures, as well as different modes of reading, writing and listening across cultures. The ebook editions of this book are available open access under a CC BY-NC-ND 4.0 licence on bloomsburycollections.com. Open access was funded by Nottingham Trent University. Full Product DetailsAuthor: Sarah JacksonPublisher: Bloomsbury Publishing PLC Imprint: Bloomsbury Academic Dimensions: Width: 15.60cm , Height: 2.50cm , Length: 23.40cm Weight: 0.454kg ISBN: 9781350259607ISBN 10: 1350259608 Pages: 248 Publication Date: 19 October 2023 Audience: Professional and scholarly , Professional & Vocational Format: Hardback Publisher's Status: Active Availability: Manufactured on demand  We will order this item for you from a manufactured on demand supplier. Table of ContentsPreface: Hello, yes? Introduction – Switchboard Chapter 1 – Queer Lines: Voice and Desire in E. M. Forster, Dana Spiotta and Haruki Murakami Chapter 2 – Scrambled Messages: Networks of Signification in Patrick Hamilton and Jon McGregor Chapter 3 – Telepoetics: Interference and Errancy in Frank O’Hara, Tom Raworth and Fady Joudah Chapter 4 – Secrets: Call and Response in Muriel Spark Chapter 5 – Listening--In: Reading Surveillance in Graham Greene, Anna Burns and Will Self Chapter 6 – Calling without Calling: Mourid Barghouti, Jacques Derrida and ‘The International Day of Telephones’ Chapter 7 – Distress Calls: New (Im)mobilities in Behrouz Boochani and Asiya Wadud Conclusion – Telefutures: Electronic Waste in Emily St John Mandel and Ling Ma Afterword – The Long Goodbye BibliographyReviewsNot just a book about telephony and literature, but a book about how the telephone has actively contributed to the deconstruction of literature and culture, while steadily working to deconstruct our own lives. Jackson acts as the deft operator of a complex international switchboard, taking us through the developments of this process of deconstruction, by way of an exciting range of texts by twentieth-century and twenty first-century novelists, poets, and theorists. --Nicoletta Asciuto, Senior Lecturer in Modern Literature, University of York, UK Not just a book about telephony and literature, but a book about how the telephone has actively contributed to the deconstruction of literature and culture, while steadily working to deconstruct our own lives. Jackson acts as the deft operator of a complex international switchboard, taking us through the developments of this process of deconstruction, by way of an exciting range of texts by twentieth-century and twenty first-century novelists, poets, and theorists. * Nicoletta Asciuto, Senior Lecturer in Modern Literature, University of York, UK * Author InformationSarah Jackson is Associate Professor in Modern and Contemporary Writing at Nottingham Trent University, UK. She is a BBC New Generation Thinker (2016), AHRC Leadership Fellow (2018--2020) and NTU VC Outstanding Researcher (2017). Her publications include Tactile Poetics (2015), Pelt (2012), and a special issue of parallax on the ‘unidentifiable literary object’ (2019). Tab Content 6Author Website:Countries AvailableAll regions |
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