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OverviewIn Literature and Artistic Practice in the Sixteenth Century Angela Cerasuolo, art historian and restorer, tracks the technical processes of painting through the cross-analysis of literary texts and works of art. Having traced the critical fortunes of the texts of the authors—Leonardo, Vasari, Armenini, Borghini, Lomazzo—she compares the information on drawing and painting, analysing the specific terminology, and identifying the materials and methods. Central themes of the theoretical debate—‘disegno’, ‘invenzione’, the contrast between ‘prestezza’ and ‘diligenza’, the ‘paragone’—are examined in the light of their relationship with the techniques. On the basis of scientific studies on the technical execution of paintings, works from the Capodimonte Museum, Naples are analysed as case studies. Full Product DetailsAuthor: Angela Cerasuolo , Helen GlanvillePublisher: Brill Imprint: Brill Volume: 262/17 Dimensions: Width: 15.50cm , Height: 3.30cm , Length: 23.50cm Weight: 0.908kg ISBN: 9789004314870ISBN 10: 9004314873 Pages: 480 Publication Date: 02 February 2017 Audience: Professional and scholarly , Professional & Vocational Format: Hardback Publisher's Status: Active Availability: Available To Order ![]() We have confirmation that this item is in stock with the supplier. It will be ordered in for you and dispatched immediately. Language: Italian Table of ContentsReviewsFor the study of art theory, practice, and conservation science, and in delineating how to read the value and significance of technical texts in their historical context and in their in illumination of technique and style, text, and conception of art, Literature and Artistic Practice in Sixteenth-Century Italy represents a new achievement in the study of art history. Shancheng Ma, Ningbo University. In: Renaissance Quarterly, Vol. 71, No. 1 (Spring 2018), pp. 236-237. “For the study of art theory, practice, and conservation science, and in delineating how to read the value and significance of technical texts in their historical context and in their in illumination of technique and style, text, and conception of art, Literature and Artistic Practice in Sixteenth-Century Italy represents a new achievement in the study of art history.” Shancheng Ma, Ningbo University. In: Renaissance Quarterly, Vol. 71, No. 1 (Spring 2018), pp. 236-237. Author InformationAngela Cerasuolo, Ph.D. (2012) Seconda Università di Napoli, is Restorer-conservator in the Museum of Capodimonte, Naples. She has published on history and theory of conservation and on painting techniques, including contribution on Raphael, Sebastiano del Piombo, Polidoro, Vasari, Leonardo. Tab Content 6Author Website:Countries AvailableAll regions |