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9783034317504

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Reviews

«For film scholars and students, this volume can add a layer of nuanced sophistication to any reading of New Wave cinema» (Kim Harrison, H-France Review, Vol.15, no.124) «McMahon navigates her way effectively through the complex patterns of collaboration between filmmakers and composers, showing a clear grasp of the technical aspects of the process, and provides a very satisfying overview of an extremely rich period of French cinematic and musical creation.» (Peter Hawkins, French Studies, Vol. 69, no. 3, July 2015).

For film scholars and students, this volume can add a layer of nuanced sophistication to any reading of New Wave cinema (Kim Harrison, H-France Review, Vol.15, No.124)

For film scholars and students, this volume can add a layer of nuanced sophistication to any reading of New Wave cinema (Kim Harrison, H-France Review, Vol.15, no.124) McMahon navigates her way effectively through the complex patterns of collaboration between filmmakers and composers, showing a clear grasp of the technical aspects of the process, and provides a very satisfying overview of an extremely rich period of French cinematic and musical creation. (Peter Hawkins, French Studies, Vol. 69, no. 3, July 2015).

Author Information

Orlene Denice McMahon is an Associate Lecturer in Musicology at Paris-Sorbonne University. She is a musicologist specialising in film and media music with a doctorate from the University of Cambridge.

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