Overview

Listening to British Nature: Wartime, Radio, and Modern Life, 1914-1945 reveals for the first time how the sounds and rhythms of the natural world were listened to, interpreted and used amid the pressures of early twentieth century life. The book argues that despite and sometimes because of the chaos of wartime and the struggle to recover, nature's voices were drawn close to provide security and engender optimism. Nature's sonic presences were not obliterated by machine age noise, the advent of radio broadcasting or the rush of the urban everyday, rather they came to complement and provide alternatives to modern modes of living. This book examines how trench warfare demanded the creation of new listening cultures to understand danger and to imagine survival. It tells of the therapeutic communities who made use of nature's quietude and the rhythms of rural work to restore shell-shocked soldiers, and of ramblers who sought to immerse themselves in the sensualities of the outdoors. It reveals how home-front listening during the Blitz was punctuated by birdsong, broadcast by the BBC. To listen to nature during this period was to cultivate an intimate connection with its energies and to sense an enduring order and beauty that could be taken into the future. Listening to nature was a way of being modern.

Full Product Details

Author:   Michael Guida (Research Associate and Tutor, Research Associate and Tutor, University of Sussex)
Publisher:   Oxford University Press Inc
Imprint:   Oxford University Press Inc
Dimensions:   Width: 23.50cm , Height: 2.10cm , Length: 16.40cm
Weight:   0.472kg
ISBN:  

9780190085537

ISBN 10:   0190085533
Pages:   232
Publication Date:   07 April 2022
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Hardback
Publisher's Status:   Active
Availability:   To order  
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Table of Contents

Introduction 1. Birdsong over the trenches: the sound of survival and escape 'The air is loud with death' - listening in fear for danger Sonic relief amid the shelling Regenerative rhythms Resilience and 'carrying on' in birds and men Skyward escape with the lark Conclusion 2. Pastoral quietude for shell shock and national recovery Quiet for the wounded? Country house therapy The 'beneficent alluring quietude' of the Village Centre utopia Quiet for national recovery Conclusion 3. Broadcasting nature John Reith's public service nightingale In touch with cosmic harmony Normalising radio with nature Conclusion 4. The rambler's search for the sensuous Re-balancing the senses Willis Marshall: into the moors Nan Shepherd's merger with the mountain A violent assertion of personality: hedonism in nature Conclusion 5. Modern birdsong and civilisation at war Recording and modernising birdsong Home front listening tensions 'Consoling voices of the air': Ludwig Koch's broadcasts Birdsong civilised and civilising Conclusion Afterword Acknowledgements Notes Bibliography and sources Index

Reviews

"Of particular interest is Guida's account of Enham Village Centre (Hampshire), a model community established to help WW I veterans reintegrate into society through engagement in an idealized model of English life, where veterans lived and worked on crafts at a preindustrial pace. Alongside wartime nostalgia for a lost world of peaceful existence in nature, however, Guida recounts the emergence of the BBC's public service broadcasting, signifying ""the beginning of a new kind of national listening"" and modernity. * F. Krome, University of Cincinnati--Clermont College, CHOICE * In this sparkling book, Guida establishes himself as a preeminent listener of the past. Listening to British Nature is an important book, subtle in its telling and striking in its implications for our understanding of historical acoustemology. * Mark Smith, author of A Sensory History Manifesto * By cleverly weaving together themes of nature, war, and broadcasting, Guida offers us an exciting new way to listen to - and to understand - twentieth century Britain. His book is clearly the result of meticulous research and deep thought. But it's also infused with genuine compassion for the people and events it describes. This is history at its glittering, exhilarating best. * David Hendy, Emeritus Professor of Media and Cultural History, University of Sussex * Listening to British Nature, the cultural and social historian Michael Guida looks at the interconnected relationship of nature and modern life by focusing on evolving listening practices in the first half of the twentieth century. * Helen Piel, Isis *"

Of particular interest is Guida's account of Enham Village Centre (Hampshire), a model community established to help WW I veterans reintegrate into society through engagement in an idealized model of English life, where veterans lived and worked on crafts at a preindustrial pace. Alongside wartime nostalgia for a lost world of peaceful existence in nature, however, Guida recounts the emergence of the BBC's public service broadcasting, signifying the beginning of a new kind of national listening and modernity. * F. Krome, University of Cincinnati-Clermont College, CHOICE * In this sparkling book, Guida establishes himself as a preeminent listener of the past. Listening to British Nature is an important book, subtle in its telling and striking in its implications for our understanding of historical acoustemology. * Mark Smith, author of A Sensory History Manifesto * By cleverly weaving together themes of nature, war, and broadcasting, Guida offers us an exciting new way to listen to - and to understand - twentieth century Britain. His book is clearly the result of meticulous research and deep thought. But it's also infused with genuine compassion for the people and events it describes. This is history at its glittering, exhilarating best. * David Hendy, Emeritus Professor of Media and Cultural History, University of Sussex *

In this sparkling book, Guida establishes himself as a preeminent listener of the past. Listening to British Nature is an important book, subtle in its telling and striking in its implications for our understanding of historical acoustemology. * Mark Smith, author of A Sensory History Manifesto * By cleverly weaving together themes of nature, war, and broadcasting, Guida offers us an exciting new way to listen to - and to understand - twentieth century Britain. His book is clearly the result of meticulous research and deep thought. But it's also infused with genuine compassion for the people and events it describes. This is history at its glittering, exhilarating best. * David Hendy, Emeritus Professor of Media and Cultural History, University of Sussex *

Author Information

Michael Guida is a cultural historian and a Research Associate in Media & Cultural Studies at the University of Sussex. His research concentrates on avian-human relations in modern urban Britain and recent published work has examined cultures of birdkeeping (in The Working Class at Home, 1770-1940, Palgrave) and birdsong and emotions (in The Routledge Companion to Animal-Human History).

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