Awards

• Commended for VLA Graphic Novel Diversity Award awarded by the Virginia Library Association 2019 (United States)
• Winner of Prose Award for Cultural Anthropology and Sociology 2018 (United States)

Overview

As young girls in Cairo, Anna and Layla strike up an unlikely friendship that crosses class, cultural, and religious divides. Years later, Anna learns that she may carry the hereditary cancer gene responsible for her mother's death. Meanwhile, Layla's family is faced with a difficult decision about kidney transplantation. Their friendship is put to the test when these medical crises reveal stark differences in their perspectives...until revolutionary unrest in Egypt changes their lives forever. brings anthropological research to life in comic form, combining scholarly insights and accessible, visually-rich storytelling to foster greater understanding of global politics, inequalities, and solidarity.

Full Product Details

9781487593476

Table of Contents

Reviews

Revolution is as intimate as family and as mammoth as regime change in this graphic novel focused on the 2011 Tahrir Square demonstrations. This is the book's greatest strength: its belief in decency, even amidst violence and trauma. Its hopeful mood is mirrored by the book's rounded, flowing visuals: Bandages flutter like hair ribbons, water sluices down Anna's surgical scars, and Layla's eyes are wide as she tends to the grievously wounded. This is a chronicle of conflict, to be sure, but it is also a tribute to persistence of friendship and the power of a people united. -- <em>Publishers Weekly</em> Whether you read Lissa to educate yourself about health issues or research methods, or you just want to find out what happens to Layla and Anna, this graphic novel shows the huge and still untapped potential of comics for use in medicine and global health. -- <em>The Lancet</em>

Lissa is an eminently teachable text, and it was clearly designed with the classroom in mind. -- Christine Sargent, <EM>Anthropology Book Forum</EM> I have nothing but admiration for this book. The story is compelling-even a page turner. Moreover, it is informative, historically and culturally situated and uplifting-or, at least, it ends on a hopeful note-teaching hard truths, or glimpses of them, in an accessible and digestible way. -- Shelly Errington, <em>Anthropology Now</em> In Lissa, Hamdy, Nye, their artists Bao, Brewer, and Parenteau show us how we can collaboratively transform anthropology's ways of seeing and communicating depth and nuance in our ethnographies. As the first publication in the new ethnoGRAPHIC series from University of Toronto Press, Lissa sets a high bar and positive tone for what we can expect from this series. Like most great books, Lissa allows the reader to bring different meanings and needs to the book, engaging them in multiple conversations that explore the ways in which we are connected. -- <em>Somatosphere</em> Revolution is as intimate as family and as mammoth as regime change in this graphic novel focused on the 2011 Tahrir Square demonstrations. This is the book's greatest strength: its belief in decency, even amidst violence and trauma. Its hopeful mood is mirrored by the book's rounded, flowing visuals: Bandages flutter like hair ribbons, water sluices down Anna's surgical scars, and Layla's eyes are wide as she tends to the grievously wounded. This is a chronicle of conflict, to be sure, but it is also a tribute to persistence of friendship and the power of a people united. -- <em>Publishers Weekly</em> Whether you read Lissa to educate yourself about health issues or research methods, or you just want to find out what happens to Layla and Anna, this graphic novel shows the huge and still untapped potential of comics for use in medicine and global health. -- <em>The Lancet</em> Through its story of intercultural friendship and its backstory of international and interdisciplinary collaboration, Lissa invites us to take an unusual - fictional, graphic- and highly original path to the heart of the ethnographic encounter. It is a journey I am excited to take with my students, and I look forward to seeing the next titles in the ethnographic series. -- Martha Radice, Dalhousie University * Anthropologica 60, 2018 * The storytelling in LISSA is innovative in the sense that it shows people's lives without resorting to broad stroke generalizations. The novel also nicely covers key aspects of cyber-activism, social media and texting - tools that were instrumental in communicating during the revolution. -- Eduard Cousin The complexity of the various ethical and medical dilemmas gives the work depth and pathos without making the arguments appear didactic. It is indeed the ethnographic research-the minor characters and their voices-that give the book its special strength. -- Parismita Singh, graphic novelist, <EM>Medical Anthropology Quarterly</EM> With the University of Toronto's imprimatur and its ethnoGRAPHIC series, surely there are no more excuses not to expand what counts as professional, promotion-worthy ethnography. And Lissa offers a fantastic model of how to proceed. Congratulations to its visionary authors and editors. -- Lochlann Jain, <EM>Medical Anthropology Quarterly</EM> ...offers slices of contrasting Egyptian and American biomedicines and uses the characters' dilemmas to pry open the contradictions within and between these medical systems. -- Stacy Leigh Pigg, <EM>Medical Anthropology Quarterly</EM>

Author Information

Sherine Hamdy is Professor of Anthropology at the University of California, Irvine. She is currently writing a young-adult graphic novel that tells the coming-of-age story of a Muslim-American woman. Coleman Nye is Assistant Professor of Gender, Sexuality, and Women’s Studies at Simon Fraser University. She was born and raised in Virginia, but now lives in Vancouver, BC. Caroline Brewer graduated from Rhode Island School of Design in 2016 with a degree in Illustration and a concentration in Literary Arts + Studies. They are the author of Autodesk's science fiction anthology FOUR. Currently living in Brooklyn, NY, their work explores themes of childhood, gender, love, and the magically real. Sarula Bao graduated from Rhode Island School of Design in 2016 with a BFA in Illustration. Based in Brooklyn, NY, her sequential work explores the queer Chinese-American experience.

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