Awards

• Nominated for S-USIH Annual Book Award 2015

Overview

Full Product Details

Author:   Kwame Anthony Appiah
Publisher:   Harvard University Press
Imprint:   Harvard University Press
Dimensions:   Width: 11.10cm , Height: 2.20cm , Length: 18.10cm
Weight:   0.272kg
ISBN:  

9780674724914

ISBN 10:   0674724917
Pages:   240
Publication Date:   27 February 2014
Audience:   General/trade ,  College/higher education ,  Professional and scholarly ,  General ,  Tertiary & Higher Education
Format:   Hardback
Publisher's Status:   Active
Availability:   Out of stock  
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Table of Contents

Reviews

In Lines of Descent , Appiah has penned one of the most exquisite accounts of W. E. B. Du Bois's intellectual heritage. The most towering figure of modern black thought and protest literature is recast here as 'a cosmopolitan through and through, ' drawing deeply from the wells of learning in the early twentieth century German academy. This is not just another book about the genius of Du Bois, his wide learning or global predilections. Lines of Descent reveals that some of America's most enduring notions of race and racial identity from the 'problem of the color line' to 'two warring ideals in one dark body' are based on Du Bois's earliest synthesis of European romantic notions of race, culture, and nation. Appiahreminds us that over the course of his long life, Du Bois strove to reconcile blackness as one among many, a thread in a tapestry of global humanity.--Khalil Gibran Muhammad, author of The Condemnation of Blackness: Race, Crime, and the Making of Modern Urban America In Lines of Descent, Appiah has penned one of the most exquisite accounts of W. E. B. Du Bois's intellectual heritage. The most towering figure of modern black thought and protest literature is recast here as 'a cosmopolitan through and through, ' drawing deeply from the wells of learning in the early twentieth century German academy. This is not just another book about the genius of Du Bois, his wide learning or global predilections. Lines of Descent reveals that some of America's most enduring notions of race and racial identity from the 'problem of the color line' to 'two warring ideals in one dark body' are based on Du Bois's earliest synthesis of European romantic notions of race, culture, and nation. Appiah reminds us that over the course of his long life, Du Bois strove to reconcile blackness as one among many, a thread in a tapestry of global humanity.--Khalil Gibran Muhammad, author of The Condemnation of Blackness: Race, Crime, and the Making of Modern Urban America In this slim but splendid book, Appiah explores Du Bois' works and the personal and philosophical struggle behind them as Du Bois used all the analytical tools of sociology yet lived the tortures of racism, even more so because his education and personal elegance did not exempt him from its indignities.--Vanessa Bush Booklist (starred review) (02/01/2014) Examines Du Bois's evolving thought and probes the contradictions at the heart of his conception of black identity...[Du Bois] emerges as difficult to pin down yet impossible not to admire. Appiah gracefully renders Du Bois's intellectual formation in a study that is a pleasure to traverse for both the scholar and the casual reader.--Lena Hill Books & Culture (09/01/2014) In Lines of Descent, Appiah has penned one of the most exquisite accounts of W. E. B. Du Bois's intellectual heritage. The most towering figure of modern black thought and protest literature is recast here as 'a cosmopolitan through and through, ' drawing deeply from the wells of learning in the early twentieth century German academy. This is not just another book about the genius of Du Bois, his wide learning or global predilections. Lines of Descent reveals that some of America's most enduring notions of race and racial identity--from the 'problem of the color line' to 'two warring ideals in one dark body'--are based on Du Bois's earliest synthesis of European romantic notions of race, culture, and nation. Appiah reminds us that over the course of his long life, Du Bois strove to reconcile blackness as one among many, a thread in a tapestry of global humanity.--Khalil Gibran Muhammad, author of The Condemnation of Blackness: Race, Crime, and the Making of Modern Urban America That Kwame Anthony Appiah should turn his attention to W. E. B. Du Bois seems foreordained: the voyages of these two thinkers meet midstream, the one departing from Ghana and the other ending there. Beyond that neat symmetry, there is an uncanny feeling of major minds in mutually enriching conversation, as the intersection of Du Bois's visionary passion with Appiah's pragmatic intelligence yields page after page of insight. Lines of Descent is an experience of pure intellectual elevation.--Alex Ross, author of The Rest Is Noise and Listen to This Examines Du Bois s evolving thought and probes the contradictions at the heart of his conception of black identity [Du Bois] emerges as difficult to pin down yet impossible not to admire. Appiah gracefully renders Du Bois s intellectual formation in a study that is a pleasure to traverse for both the scholar and the casual reader.--Lena Hill Books & Culture (09/01/2014) In Lines of Descent, Appiah has penned one of the most exquisite accounts of W. E. B. Du Bois's intellectual heritage. The most towering figure of modern black thought and protest literature is recast here as 'a cosmopolitan through and through, ' drawing deeply from the wells of learning in the early twentieth century German academy. This is not just another book about the genius of Du Bois, his wide learning or global predilections. Lines of Descent reveals that some of America's most enduring notions of race and racial identity from the 'problem of the color line' to 'two warring ideals in one dark body' are based on Du Bois's earliest synthesis of European romantic notions of race, culture, and nation. Appiah reminds us that over the course of his long life, Du Bois strove to reconcile blackness as one among many, a thread in a tapestry of global humanity.--Khalil Gibran Muhammad, author of The Condemnation of Blackness: Race, Crime, and the Making of Modern Urban America That Kwame Anthony Appiah should turn his attention to W. E. B. Du Bois seems foreordained: the voyages of these two thinkers meet midstream, the one departing from Ghana and the other ending there. Beyond that neat symmetry, there is an uncanny feeling of major minds in mutually enriching conversation, as the intersection of Du Bois's visionary passion with Appiah's pragmatic intelligence yields page after page of insight. Lines of Descent is an experience of pure intellectual elevation.--Alex Ross, author of The Rest Is Noise and Listen to This In this slim but splendid book, Appiah explores Du Bois works and the personal and philosophical struggle behind them as Du Bois used all the analytical tools of sociology yet lived the tortures of racism, even more so because his education and personal elegance did not exempt him from its indignities.--Vanessa Bush Booklist (starred review) (02/01/2014)

In this slim but splendid book, Appiah explores Du Bois works and the personal and philosophical struggle behind them as Du Bois used all the analytical tools of sociology yet lived the tortures of racism, even more so because his education and personal elegance did not exempt him from its indignities.--Vanessa Bush Booklist (starred review) (02/01/2014)

Examines Du Bois s evolving thought and probes the contradictions at the heart of his conception of black identity [Du Bois] emerges as difficult to pin down yet impossible not to admire. Appiah gracefully renders Du Bois s intellectual formation in a study that is a pleasure to traverse for both the scholar and the casual reader.--Lena Hill Books & Culture (09/01/2014)

In Lines of Descent , Appiah has penned one of the most exquisite accounts of W. E. B. Du Bois's intellectual heritage. The most towering figure of modern black thought and protest literature is recast here as 'a cosmopolitan through and through, ' drawing deeply from the wells of learning in the early twentieth century German academy. This is not just another book about the genius of Du Bois, his wide learning or global predilections. Lines of Descent reveals that some of America's most enduring notions of race and racial identity from the 'problem of the color line' to 'two warring ideals in one dark body' are based on Du Bois's earliest synthesis of European romantic notions of race, culture, and nation. Appiahreminds us that over the course of his long life, Du Bois strove to reconcile blackness as one among many, a thread in a tapestry of global humanity.--Khalil Gibran Muhammad, author of The Condemnation of Blackness: Race, Crime, and the Making of Modern Urban America

Author Information

Kwame Anthony Appiah writes the Ethicist column for The New York Times Magazine. A professor of philosophy and law at New York University, he is the best-selling, award-winning author of The Lies That Bind: Rethinking Identity; Cosmopolitanism: Ethics in a World of Strangers; The Ethics of Identity; and The Honor Code: How Moral Revolutions Happen.

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