Overview

Remembered as the Savior of the Union, Abraham Lincoln is one of America's most revered presidents. There have been tens of thousands of books published about him since his death, but he has proved to be a surprisingly daunting subject for filmmakers. Despite a wealth of biographical material, relatively few full-length motion pictures have taken the man and his life as a primary subject. In this detailed study, Brian J. Snee provides a sweeping overview of the cinematic representations of the sixteenth president from the silent era up to Steven Spielberg's Lincoln (2012) -- a film which, he argues, marks a seismic shift in the way Hollywood presents the Great Emancipator on-screen. Snee focuses on six of the most popular and influential movies and TV miniseries of the twentieth century to address the life of Abraham Lincoln -- The Birth of a Nation (1915), Abraham Lincoln (1930), Young Mr. Lincoln (1939), Abe Lincoln in Illinois (1940), Sandburg's Lincoln (1974--1976), and Gore Vidal's Lincoln (1988). Snee examines how each work has contributed to public memory of the president, addressing issues of production, textual construction, and audience reception, as well as their contemporary historical contexts and underlying cultural theory. The absence of video and other recording technology during Lincoln's lifetime forever shrouds his mannerisms, thought processes, and interactions with his peers and advisers. That man, Snee argues, is lost to history. This fascinating book offers a revealing and groundbreaking assessment of how Hollywood has imagined and reimagined America's greatest president on-screen, contributing to the popular image and myth of the legendary man.

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9780813167473

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From <i>Birth of a Nation</i> to Spielberg, biopics have shaped American views of Abraham Lincoln, some by accident, some by design. Dr. Snee details how Hollywood became the nation's unofficial historian and how one hundred years of film shaped our image of America's greatest president. -- Kathryn Canavan, author of <i>Lincoln's Final Hours: Conspiracy, Terror, and the Assassination of America's Greatest President</i></p>

""Overall, Lincoln Before Lincoln is an intriguing study of how art in the form of motion pictures has for good or ill established the image of Abraham Lincoln in the minds of millions. The author has done his homework, and his work has added much to the history of Lincoln and the American cinema."" -- Kentucky Gazette ""From Birth of a Nation to Spielberg, biopics have shaped American views of Abraham Lincoln, some by accident, some by design. Dr. Snee details how Hollywood became the nation's unofficial historian and how one hundred years of film shaped our image of America's greatest president."" -- Kathryn Canavan, author of Lincoln's Final Hours: Conspiracy, Terror, and the Assassination of America's Greatest President

From Birth of a Nation to Spielberg, biopics have shaped American views of Abraham Lincoln, some by accident, some by design. Dr. Snee details how Hollywood became the nation's unofficial historian and how one hundred years of film shaped our image of America's greatest president. -- Kathryn Canavan, author of Lincoln's Final Hours: Conspiracy, Terror, and the Assassination of America's Greatest President

From Birth of a Nation to Spielberg, biopics have shaped American views of Abraham Lincoln, some by accident, some by design. Dr. Snee details how Hollywood became the nation's unofficial historian and how one hundred years of film shaped our image of America's greatest president. -- Kathryn Canavan, author of Lincoln's Final Hours: Conspiracy, Terror, and the Assassination of America's Greatest President Overall, Lincoln Before Lincoln is an intriguing study of how art in the form of motion pictures has for good or ill established the image of Abraham Lincoln in the minds of millions. The author has done his homework, and his work has added much to the history of Lincoln and the American cinema. -- Kentucky Gazette

Author Information

Brian J. Snee is professor of communication and media at Manhattanville College, USA. He is coeditor of The Rhetoric of the New Political Documentary and Michael Moore and the Rhetoric of Documentary.

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