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OverviewFull Product DetailsAuthor: Janice Ross , Lynn GarafolaPublisher: Yale University Press Imprint: Yale University Press Dimensions: Width: 15.60cm , Height: 3.70cm , Length: 23.50cm Weight: 0.889kg ISBN: 9780300207637ISBN 10: 0300207638 Pages: 536 Publication Date: 08 January 2015 Audience: General/trade , General Format: Hardback Publisher's Status: Active Availability: Manufactured on demand ![]() We will order this item for you from a manufactured on demand supplier. Table of ContentsReviewsPeerless: a heartbreaking account of the distance between a choreographer's intentions and their staged realizations, a page-turning story of one Promethean life, and the most revealing of cultural studies about ballet's perversion by politics. -MINDY ALOFF, author of Hippo in a Tutu: Dancing in Disney Animation -- Mindy Aloff In 1975 the Moscow critic Vadim Gayevsky wrote, 'Time passes, but Yakobson's place in our ballet does not change. Eternal avant-gardist. Eternal free thinker. The sharpest poet with the best sense of humor and the poet of sharp humor. Spiritual colleague of Rodin, Chagall and Shostakovich. Who else can boast of titles like that?' That quote is included in this book, and God knows I cannot compete with the eloquence of Mr. Gayevsky. I salute Janice Ross for allowingus to peek behind the curtain of Yakobson's extraordinarily creative life. His personal struggle for freedom - in life and in his art - was exemplary knowing the time and the place in which he fought to make his dreams and ideas into theatrical reality. ?-MIKHAIL BARYSHNIKOV -- Mikhail Baryshnikov How wonderful that there is a new book about Leonid Yakobson, this unique and genius choreographer. I am happy to have been his muse, and I deeply appreciate his profoundly meaningful influence on the way I danced, which continued to shape my development throughout my career. -NATALIA MAKAROVA -- Natalia Makarova Peerless: a heartbreaking account of the distance between a choreographer's intentions and their staged realizations, a page-turning story of one Promethean life, and the most revealing of cultural studies about ballet's perversion by politics. -MINDY ALOFF, author of Hippo in a Tutu: Dancing in Disney Animation -- Mindy Aloff On the face of it, ballet is the least political of the arts. Yet in the Soviet Union even dancing came under state scrutiny. Like a Bomb Going Off tells the story of a remarkably courageous dancer, Leonid Yakobson, who first as a performer and then as choreographer came to irritate the Soviet authorities, to suffer punishments, and yet never gave up the fight for his art. -RICHARD PIPES, Harvard University, emeritus, author of A Consise History of the Russian Revolution -- Richard Pipes Leonid Yakobson was one of the most influential choreographers of his time, yet until now he has gone largely unrecognized. Thanks to Janice Ross, this extraordinary artist, who deserves the praise of the dance world and beyond, is brought to life in this revelatory, important book. -MIKKO NISSINEN, artistic director, Boston Ballet -- Mikko Nissinen Ambitious and fascinating ... This admirably researched and well-written book throws a sharply focused light on a truly extraordinary artist and courageous human being. -Rita Feliciano, Dancers' Group -- Rita Feliciano Dancers' Group Revolutionary Russian-Jewish choreographer Leonid Yakobson comes alive in Janice Ross's Like a Bomb Going Off. -Vanity Fair Vanity Fair Utterly engrossing ... A landmark study ... Like a Bomb Going Off is by turns infuriating and uplifting; it will leave its readers maddened by the predictable fear of imagination shared by all totalitarian regimes but also thrilled that stories of courage such as Yakobson's are possible in such regimes at all. -Steve Donoghue, Open Letters Monthly -- Steve Donoghue Open Letters Monthly This is not only the finest biography of a choreographer ever written--the most detailed and illuminating chronicle of the distance between intentions and achievements in the tragically fallible art of theatrical dance. It is also the most revealing and iconoclastic cultural study we have of ballet as a political instrument, in any country. --Mindy Aloff, editor, Leaps in the Dark: Art and the World by Agnes de Mille --Mindy Aloff In 1975 the Moscow critic Vadim Gayevsky wrote, 'Time passes, but Yakobson's place in our ballet does not change. Eternal avant-gardist. Eternal free thinker. The sharpest poet with the best sense of humor and the poet of sharp humor. Spiritual colleague of Rodin, Chagall and Shostakovich. Who else can boast of titles like that?' That quote is included in this book, and God knows I cannot compete with the eloquence of Mr. Gayevsky. I salute Janice Ross for allowingus to peek behind the curtain of Yakobson's extraordinarily creative life. His personal struggle for freedom - in life and in his art - was exemplary knowing the time and the place in which he fought to make his dreams and ideas into theatrical reality. ?-MIKHAIL BARYSHNIKOV -- Mikhail Baryshnikov How wonderful that there is a new book about Leonid Yakobson, this unique and genius choreographer. I am happy to have been his muse, and I deeply appreciate his profoundly meaningful influence on the way I danced, which continued to shape my development throughout my career. -NATALIA MAKAROVA -- Natalia Makarova Peerless: a heartbreaking account of the distance between a choreographer's intentions and their staged realizations, a page-turning story of one Promethean life, and the most revealing of cultural studies about ballet's perversion by politics. -MINDY ALOFF, author of Hippo in a Tutu: Dancing in Disney Animation -- Mindy Aloff On the face of it, ballet is the least political of the arts. Yet in the Soviet Union even dancing came under state scrutiny. Like a Bomb Going Off tells the story of a remarkably courageous dancer, Leonid Yakobson, who first as a performer and then as choreographer came to irritate the Soviet authorities, to suffer punishments, and yet never gave up the fight for his art. -RICHARD PIPES, Harvard University, emeritus, author of A Consise History of the Russian Revolution -- Richard Pipes Leonid Yakobson was one of the most influential choreographers of his time, yet until now he has gone largely unrecognized. Thanks to Janice Ross, this extraordinary artist, who deserves the praise of the dance world and beyond, is brought to life in this revelatory, important book. -MIKKO NISSINEN, artistic director, Boston Ballet -- Mikko Nissinen Ambitious and fascinating ... This admirably researched and well-written book throws a sharply focused light on a truly extraordinary artist and courageous human being. -Rita Feliciano, Dancers' Group -- Rita Feliciano Dancers' Group Revolutionary Russian-Jewish choreographer Leonid Yakobson comes alive in Janice Ross's Like a Bomb Going Off. -Vanity Fair Vanity Fair Author InformationJanice Ross, a professor in the Theater and Performance Studies Department and director of the Dance Division at Stanford University, is the former dance critic for the Oakland Tribune. She is the author of San Francisco Ballet at 75, Anna Halprin: Experience as Dance, and Moving Lessons: Margaret H’Doubler and the Beginning of Dance in American Education. She lives in Atherton, CA. Tab Content 6Author Website:Countries AvailableAll regions |