Overview

Winner of the 2018 Richard Wall Memorial Award​ from the Theater Library Association Liberating Hollywood examines the professional experiences and creative output of women filmmakers during a unique moment in history when the social justice movements that defined the 1960s and 1970s challenged the enduring culture of sexism and racism in the U.S. film industry. Throughout the 1970s feminist reform efforts resulted in a noticeable rise in the number of women directors, yet at the same time the institutionalized sexism of Hollywood continued to create obstacles to closing the gender gap. Maya Montañez Smukler reveals that during this era there were an estimated sixteen women making independent and studio films: Penny Allen, Karen Arthur, Anne Bancroft, Joan Darling, Lee Grant, Barbara Loden, Elaine May, Barbara Peeters, Joan Rivers, Stephanie Rothman, Beverly Sebastian, Joan Micklin Silver, Joan Tewkesbury, Jane Wagner, Nancy Walker, and Claudia Weill. Drawing on interviews conducted by the author, Liberating Hollywood is the first study of women directors within the intersection of second wave feminism, civil rights legislation, and Hollywood to investigate the remarkable careers of these filmmakers during one of the most mythologized periods in American film history.

Full Product Details

Author:   Maya Montañez Smukler
Publisher:   Rutgers University Press
Imprint:   Rutgers University Press
Dimensions:   Width: 15.20cm , Height: 2.80cm , Length: 22.90cm
Weight:   0.626kg
ISBN:  

9780813587486

ISBN 10:   0813587484
Pages:   364
Publication Date:   14 December 2018
Recommended Age:   From 17 to 99 years
Audience:   General/trade ,  College/higher education ,  Professional and scholarly ,  General ,  Tertiary & Higher Education
Format:   Hardback
Publisher's Status:   Active
Availability:   In Print  
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Table of Contents

Reviews

A counterintuitive feminist history of the new Hollywood that convincingly challenges widely held assumptions about the boys' club movie brat auteur renaissance. In Liberating Hollywood, Maya Montanez Smukler is remarkably attentive to the industrial as well as sociopolitical histories that made such a new women's cinema and such a suddenly liberated Hollywood possible.

100 Women, One Hotel, and the Weekend Retreat That Presaged Time's Up By 18 Years by Cari Beauchamp--Vanity Fair How the 1970s Marked a Turning Point for Women Directors in Hollywood by Dan Schindel--Hyperallergic Highly recommended. --Choice A fascinating series of profiles of trailblazing filmmakers. --Sight and Sound [An] essential book. --New Yorker [An] excellent and deeply researched book. --Variety An ambitious [and] compelling book....Smukler has done an excellent job of researching and writing about the individual careers of her directors. The stories are both empowering and heartbreaking, and she has out the available oral histories to good use. --Cineaste Liberating Hollywood is an invigorating, detailed account of the women who were denied seats at the directors' roundtable and sat down anyway. Their bittersweet but valiant efforts paved the way for feminist reform. Smukler's book is valuable not just because it covers an important piece of Hollywood history, but because it's a reminder that progress is not to be taken for granted. --Movie Maker Magazine Smukler sees the increase of independently produced features in the '80s as a turning point for women no longer at the mercy of a slow-moving studio system. She's right, though working independently puts the onus of proving artistic and commercial viability directly on individual artists' shoulders, dependent on a world of potentially prejudiced funders with no centralized power to reform, however incrementally. That said, it's impossible to read Liberating Hollywood and not recognize the progress that has been made, even though too much remains sadly familiar. It's still rough out there, but histories like these keep me moving forward. --Film Comment Maya Montanez Smukler's Liberating Hollywood: Women Directors and the Feminist Reform of 1970s American Cinema is an exciting and topical examination of a transformative group of female filmmakers whose stories and struggles have too often been forgotten. At once an eye-opening analysis and a significant contribution to feminist film scholarship, Liberating Hollywood persuasively challenges the received wisdom about a period of American cinema (the so-called time of Easy Riders and Raging Bulls) in which women are routinely banished to the margins. As Smukler demonstrates, women were always there - making movies, good trouble and American history. --Manohla Dargis film critic for The New York Times Both long overdue and coming right on time, Liberating Hollywood richly expands our understanding of Hollywood filmmaking in the 1970s. Expertly researched with stories from those who were there, Maya Montanez Smukler's book tells the stories of female directors working in Hollywood in the 1970s and fighting for their rights as mediamakers. --Miranda Banks author of The Writers: A History of American Screenwriters and Their Guild A counterintuitive feminist history of the new Hollywood that convincingly challenges widely held assumptions about the boys' club movie brat auteur renaissance. In Liberating Hollywood, Maya Montanez Smukler is remarkably attentive to the industrial as well as sociopolitical histories that made such a new women's cinema and such a suddenly liberated Hollywood possible. --Jon Lewis author of Hard-Boiled Hollywood: Crime and Punishment in Postwar Los Angeles

100 Women, One Hotel, and the Weekend Retreat That Presaged Time's Up By 18 Years by Cari Beauchamp--Vanity Fair How the 1970s Marked a Turning Point for Women Directors in Hollywood by Dan Schindel--Hyperallergic Smukler sees the increase of independently produced features in the '80s as a turning point for women no longer at the mercy of a slow-moving studio system. She's right, though working independently puts the onus of proving artistic and commercial viability directly on individual artists' shoulders, dependent on a world of potentially prejudiced funders with no centralized power to reform, however incrementally. That said, it's impossible to read Liberating Hollywood and not recognize the progress that has been made, even though too much remains sadly familiar. It's still rough out there, but histories like these keep me moving forward. --Film Comment Maya Monta ez Smukler's Liberating Hollywood: Women Directors and the Feminist Reform of 1970s American Cinema is an exciting and topical examination of a transformative group of female filmmakers whose stories and struggles have too often been forgotten. At once an eye-opening analysis and a significant contribution to feminist film scholarship, Liberating Hollywood persuasively challenges the received wisdom about a period of American cinema (the so-called time of Easy Riders and Raging Bulls) in which women are routinely banished to the margins. As Smukler demonstrates, women were always there - making movies, good trouble and American history. --Manohla Dargis film critic for The New York Times Both long overdue and coming right on time, Liberating Hollywood richly expands our understanding of Hollywood filmmaking in the 1970s. Expertly researched with stories from those who were there, Maya Monta ez Smukler's book tells the stories of female directors working in Hollywood in the 1970s and fighting for their rights as mediamakers. --Miranda Banks author of The Writers: A History of American Screenwriters and Their Guild A counterintuitive feminist history of the new Hollywood that convincingly challenges widely held assumptions about the boys' club movie brat auteur renaissance. In Liberating Hollywood, Maya Montanez Smukler is remarkably attentive to the industrial as well as sociopolitical histories that made such a new women's cinema and such a suddenly liberated Hollywood possible. --Jon Lewis author of Hard-Boiled Hollywood: Crime and Punishment in Postwar Los Angeles

100 Women, One Hotel, and the Weekend Retreat That Presaged Time's Up By 18 Years by Cari Beauchamp--Vanity Fair Maya Monta ez Smukler's Liberating Hollywood: Women Directors and the Feminist Reform of 1970s American Cinema is an exciting and topical examination of a transformative group of female filmmakers whose stories and struggles have too often been forgotten. At once an eye-opening analysis and a significant contribution to feminist film scholarship, Liberating Hollywood persuasively challenges the received wisdom about a period of American cinema (the so-called time of Easy Riders and Raging Bulls) in which women are routinely banished to the margins. As Smukler demonstrates, women were always there - making movies, good trouble and American history. --Manohla Dargis film critic for The New York Times Both long overdue and coming right on time, Liberating Hollywood richly expands our understanding of Hollywood filmmaking in the 1970s. Expertly researched with stories from those who were there, Maya Monta ez Smukler's book tells the stories of female directors working in Hollywood in the 1970s and fighting for their rights as mediamakers. --Miranda Banks author of The Writers: A History of American Screenwriters and Their Guild A counterintuitive feminist history of the new Hollywood that convincingly challenges widely held assumptions about the boys' club movie brat auteur renaissance. In Liberating Hollywood, Maya Montanez Smukler is remarkably attentive to the industrial as well as sociopolitical histories that made such a new women's cinema and such a suddenly liberated Hollywood possible. --Jon Lewis author of Hard-Boiled Hollywood: Crime and Punishment in Postwar Los Angeles

100 Women, One Hotel, and the Weekend Retreat That Presaged Time's Up By 18 Years by Cari Beauchamp--Vanity Fair Both long overdue and coming right on time, Liberating Hollywood richly expands our understanding of Hollywood filmmaking in the 1970s. Expertly researched with stories from those who were there, Maya Monta ez Smukler's book tells the stories of female directors working in Hollywood in the 1970s and fighting for their rights as mediamakers. --Miranda Banks author of The Writers: A History of American Screenwriters and Their Guild Maya Monta ez Smukler's Liberating Hollywood: Women Directors and the Feminist Reform of 1970s American Cinema is an exciting and topical examination of a transformative group of female filmmakers whose stories and struggles have too often been forgotten. At once an eye-opening analysis and a significant contribution to feminist film scholarship, Liberating Hollywood persuasively challenges the received wisdom about a period of American cinema (the so-called time of Easy Riders and Raging Bulls) in which women are routinely banished to the margins. As Smukler demonstrates, women were always there - making movies, good trouble and American history. --Manohla Dargis film critic for The New York Times A counterintuitive feminist history of the new Hollywood that convincingly challenges widely held assumptions about the boys' club movie brat auteur renaissance. In Liberating Hollywood, Maya Montanez Smukler is remarkably attentive to the industrial as well as sociopolitical histories that made such a new women's cinema and such a suddenly liberated Hollywood possible. --Jon Lewis author of Hard-Boiled Hollywood: Crime and Punishment in Postwar Los Angeles

100 Women, One Hotel, and the Weekend Retreat That Presaged Time's Up By 18 Years by Cari Beauchamp--Vanity Fair A counterintuitive feminist history of the new Hollywood that convincingly challenges widely held assumptions about the boys' club movie brat auteur renaissance. In Liberating Hollywood, Maya Montanez Smukler is remarkably attentive to the industrial as well as sociopolitical histories that made such a new women's cinema and such a suddenly liberated Hollywood possible. --Jon Lewis author of Hard-Boiled Hollywood: Crime and Punishment in Postwar Los Angeles

Author Information

MAYA MONTAÑEZ. SMUKLER is head of the UCLA Film & Television Archive Research and Study Center. Her work appears in collections including: Women and New Hollywood: Gender, Creative Labor and 1970s American Cinema, ReFocus: The Films of Elaine May, ReFocus: The Films of Susan Seidelman, and Happily Ever After: Romantic Comedy in the Post-Romantic Age.

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