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OverviewFull Product DetailsAuthor: Claire Norton (St. Mary's University College, UK) , Mark Donnelly (St Mary's University College, UK)Publisher: Taylor & Francis Ltd Imprint: Routledge Weight: 0.420kg ISBN: 9780415856546ISBN 10: 041585654 Pages: 258 Publication Date: 05 July 2018 Audience: College/higher education , Tertiary & Higher Education , Undergraduate Format: Paperback Publisher's Status: Active Availability: In Print This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us. Table of ContentsAcknowledgements. Introduction: beyond discipline. Chapter one: Imprisoned by history: the archaeology of hegemony. Chapter two: Challenging historical authority: public art, (post)museums and activist film. Chapter three: The politics of making histories. Chapter four: Using the past in the present: nostalgia, memory and activism. Chapter five: Weapons of war: the power of the poster. Chapter six: Art and the power to disrupt. Chapter seven: Archives of resistance. Conclusion. Bibliography. IndexReviewsAuthor InformationClaire Norton is Reader at St Mary’s University, London. She is interested in how forms of past-talk are used to imagine, legitimise and contest identities, political spaces, institutions and discourses. Her recent books include Plural Pasts: power, identity, and the Ottoman sieges of Nagykanizsa (2017) and Conversion and Islam in the Early Modern Mediterranean (2017). Mark Donnelly is Principal Lecturer at St Mary’s University, London. He works in the fields of history theory, public history, memory and contemporary cultural politics. He co-edited Mad Dogs and Englishness: Popular Music and English Identities (2017), and co-wrote Doing History (2011) with Claire Norton. Tab Content 6Author Website:Countries AvailableAll regions |
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