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Overview"Wagner and Brecht are seemingly opposed in their approach to drama, music and visual representation, the former believing in the integration of these different elements in the ""Gesamtkunstwerk"", the other in their separation. However, they share common ground in their sophisticated use of leitmotivic networks, a bridging device for Wagner who builds onto its verbal and semantic foundations a unique and complex musical language. Both use the device to ""explain"" and ""evaluate"" a dramatic action as it unfolds i.e. as a major form of perspectival commentary. Thus the paradox that Wagner's theory can shed light on Brecht's dramatic practice, since Brecht's own thematical concerns focus almost exclusively on the ""gestic"" and disjunctive perspectives identified with Epic Theatre." Full Product DetailsAuthor: H.M. BrownPublisher: Oxford University Press Imprint: Clarendon Press Dimensions: Width: 14.00cm , Height: 2.00cm , Length: 22.00cm Weight: 0.434kg ISBN: 9780198162278ISBN 10: 0198162278 Pages: 230 Publication Date: 01 July 1991 Audience: College/higher education , Professional and scholarly , Undergraduate , Postgraduate, Research & Scholarly Format: Hardback Publisher's Status: Active Availability: To order ![]() Stock availability from the supplier is unknown. We will order it for you and ship this item to you once it is received by us. Table of Contents"General introduction - the theoretical background; leitmotiv and commentary in Richard Wagner's theory of drama; Brecht - modes of perspective in ""Epic"" theatre; ""Baal"" - leitmotiv and lyrical drama; ""Das Badener Lehrstuck vom Einverstandnis"", leitmotiv and didacticism; ""Die Heilige Johanna der Schlachthofe"" leitmotiv and parody; ""Leben des Galilei"" leitmotiv paradox; conclusion."ReviewsAuthor InformationTab Content 6Author Website:Countries AvailableAll regions |