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OverviewBased on extensive ethnographic fieldwork in New York and Dakar, this book explores the Senegalese dance-rhythms Sabar from the research position of a dance student. It features a comparative analysis of the pedagogical techniques used in dance classes in New York and Dakar, which in turn shed light on different aesthetics and understandings of dance, as well as different ways of learning, in each context. Pointing to a loose network of teachers and students who travel between New York and Dakar around the practice of West African dance forms, the author discusses how this movement is maintained, what role the imagination plays in mobilizing participants and how the 'cultural flow' of the dances is 'punctuated' by national borders and socio-economic relationships. She explores the different meanings articulated around Sabar's transatlantic movement and examines how the dance floor provides the grounds for contested understandings, socio-economic relationships and broader discourses to be re-choreographed in each setting. Full Product DetailsAuthor: Eleni BizasPublisher: Berghahn Books Imprint: Berghahn Books Volume: 6 Dimensions: Width: 15.20cm , Height: 1.10cm , Length: 22.90cm Weight: 0.399kg ISBN: 9781782382560ISBN 10: 1782382569 Pages: 168 Publication Date: 01 February 2014 Audience: College/higher education , Postgraduate, Research & Scholarly Format: Hardback Publisher's Status: Active Availability: In Print ![]() This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us. Table of ContentsList of Maps Acknowledgements Map of Senegal in Africa Introduction Chapter 1. Trans-Atlantic Travels of West African Dance Chapter 2. The New York Dance Floor Chapter 3. Navigating Trans-Atlantic Flows Chapter 4. Re-Choreographing Sabar Chapter 5. The Kinaesthetic of Sabar Chapter 6. Hearing Movements, Seeing Rhythms Conclusion Glossary Bibliography IndexReviewsThe material discussed in this study is extremely rich and well analyzed. It is a fascinating piece of research. * Stephanie Bunn, University of St. Andrews - a wonderfully wrought study - crisp, well-contoured sentences that guide the reader effortless into the deep recesses of transnational West African dance - The ethnography - is enviably rich. Readers get to know the dancers as they struggle with various issues: the relationship of sound to movement, the question of dance authenticity in Uptown, Downtown and Senegalese sites, the social, political and economic contours of Pan-Africanism and Afrocentrism. * Paul Stoller, West Chester University Author InformationEleni Bizas publishes on dance, learning, migration and West Africa and is currently a Research Fellow at the Programme for the Study of Global Migration, Graduate Institute of International and Development Studies in Geneva, Switzerland. Tab Content 6Author Website:Countries AvailableAll regions |