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OverviewSomewhere out there lies the unchartered frontier of cyberspace. In that Babel there are images, dreams inert and vital messages, anonymous ciphers and calclating incubi. Because it is faceless, as if somehow subterranean, human dialogue and the expression of ideas can multiply without responsibility, without the parameters of authorial disciplines or social conventions. Could this be anarchy, of the kind that artists linger on street corners for? Nick Waplington, alert to those possibilities, went in 2001 to the Venice Biennale, which had commissioned him to elaborate on this theme. The result was the work of an artist embracing the apparently limitless avenues of freedom of expression on the Internet. For Waplington the medium is certainly the message, but one far removed from McLuhan's epithet, since this is a medium not bound by social, moral or ethical considerations. It is as if he had found himself a child again, locked in the toyshop overnight, where trainsets would double as conveyour belts of ideas, and Action Man as a table leg. Text by Carlo McCormick. Full Product DetailsAuthor: Nick Waplington , Carlo McCormickPublisher: Trolley Books Imprint: Trolley Books Dimensions: Width: 25.50cm , Height: 1.90cm , Length: 21.50cm Weight: 0.860kg ISBN: 9780954207977ISBN 10: 0954207971 Pages: 128 Publication Date: 01 January 2002 Audience: General/trade , General Format: Hardback Publisher's Status: Active Availability: In Print This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us. Table of ContentsReviewsAuthor InformationUK and US-based artist Nick Waplington works with photography as a medium to submerge in communities resulting in personal involvement and visual work. He caught John Berger’s, Richard Avedon’s and the rest of the world’s attention in the 1990s with Living Room and has since then created recognisable, frank representations of people and their sociopolitical backgrounds ranging from a DIY, post Punk youth navigating Thatcherism, the heyday of House and rave culture in 1990s NYC or documenting the last collection of close friend Alexander McQueen at his London studio. Waplington has had solo shows at the Tate Britain and The Photographers Gallery in London among other institutions and his works are part of the permanent collections of the Solomon R. Guggenheim Museum in New York, Victoria and Albert Museum and Government Art Collection in London or the Philadelphia Museum of Art. Tab Content 6Author Website:Countries AvailableAll regions |
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