|
|
|||
|
||||
OverviewReassessing the theoretical usefulness of the high/low culture perspective often found in writings on Romantic theatre, this book shows how this dichotomy has obscured the centrality of melodrama as a dominant mode of Romantic expression in post-Revolutionary France. The book focuses on Victor Ducange's production (1813-1833) in order to reveal melodrama's aesthetic and political contribution to the Romantic movement during the Restoration. The restructuring of the theatrical field after 1830 is analyzed to account for the break between Hugo's Romantic drama and the melodrama, and for melodrama's subsequent reputation as a popular genre. Full Product DetailsAuthor: Marie-Pierre Le HirPublisher: John Benjamins Publishing Co Imprint: John Benjamins Publishing Co Volume: 42 Weight: 0.575kg ISBN: 9789027217691ISBN 10: 9027217696 Pages: 225 Publication Date: 03 December 1992 Audience: College/higher education , Professional and scholarly , Undergraduate , Postgraduate, Research & Scholarly Format: Hardback Publisher's Status: Active Availability: To order ![]() Stock availability from the supplier is unknown. We will order it for you and ship this item to you once it is received by us. Language: French Table of ContentsReviewsAuthor InformationTab Content 6Author Website:Countries AvailableAll regions |