Lautréamont, Subject to Interpretation

Author:   Andrea S. Thomas
Publisher:   Brill
Volume:   403
ISBN:  

9789042039254


Pages:   252
Publication Date:   26 February 2015
Format:   Paperback
Availability:   Available To Order   Availability explained
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Lautréamont, Subject to Interpretation


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Author:   Andrea S. Thomas
Publisher:   Brill
Imprint:   Editions Rodopi B.V.
Volume:   403
Weight:   0.389kg
ISBN:  

9789042039254


ISBN 10:   9042039256
Pages:   252
Publication Date:   26 February 2015
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Paperback
Publisher's Status:   Active
Availability:   Available To Order   Availability explained
We have confirmation that this item is in stock with the supplier. It will be ordered in for you and dispatched immediately.

Table of Contents

List of Illustrations Acknowledgments Introduction Lautréamontage: Imaginary Portraits of Lautréamont I – Fin de Siècle Chapter 1: Outsiders at the Fin de Siècle Chapter 2: Perish then Publish: Partial Truth in the 1890 Edition of Maldoror II – Surrealism Chapter 3: Investing in Lautréamont, 1920 Chapter 4: The Edition as Exhibition: A Surrealist Retrospective, 1938 III – Post-Structuralism Chapter 5: Lautréamont in the Bibliothèque de la Pléiade Chapter 6: Lautréamont Reincarnated Conclusion: John Cage and the Chants de Maldoror: Pulvérisés par l’assistance même Bibliography Index

Reviews

"""Thomas has produced an engagingly written, ground-breaking work that is bolstered by an apposite selection of attractive illustrations. It raises fundamental questions about the complex power dynamics between writers, artists, composers, editors, and publishers in the production of textual authority and is likely to remain for some time as the “point de référence” for any scholar seeking to understand the history of Lautréamont reception."" - Damian Catani, Birkbeck University of London"


Thomas has produced an engagingly written, ground-breaking work that is bolstered by an apposite selection of attractive illustrations. It raises fundamental questions about the complex power dynamics between writers, artists, composers, editors, and publishers in the production of textual authority and is likely to remain for some time as the point de reference for any scholar seeking to understand the history of Lautreamont reception. - Damian Catani, Birkbeck University of London


""Thomas has produced an engagingly written, ground-breaking work that is bolstered by an apposite selection of attractive illustrations. It raises fundamental questions about the complex power dynamics between writers, artists, composers, editors, and publishers in the production of textual authority and is likely to remain for some time as the “point de référence” for any scholar seeking to understand the history of Lautréamont reception."" - Damian Catani, Birkbeck University of London


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