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OverviewFull Product DetailsAuthor: Andrea S. ThomasPublisher: Brill Imprint: Editions Rodopi B.V. Volume: 403 Weight: 0.389kg ISBN: 9789042039254ISBN 10: 9042039256 Pages: 252 Publication Date: 26 February 2015 Audience: Professional and scholarly , Professional & Vocational Format: Paperback Publisher's Status: Active Availability: Available To Order ![]() We have confirmation that this item is in stock with the supplier. It will be ordered in for you and dispatched immediately. Table of ContentsList of Illustrations Acknowledgments Introduction Lautréamontage: Imaginary Portraits of Lautréamont I – Fin de Siècle Chapter 1: Outsiders at the Fin de Siècle Chapter 2: Perish then Publish: Partial Truth in the 1890 Edition of Maldoror II – Surrealism Chapter 3: Investing in Lautréamont, 1920 Chapter 4: The Edition as Exhibition: A Surrealist Retrospective, 1938 III – Post-Structuralism Chapter 5: Lautréamont in the Bibliothèque de la Pléiade Chapter 6: Lautréamont Reincarnated Conclusion: John Cage and the Chants de Maldoror: Pulvérisés par l’assistance même Bibliography IndexReviews"""Thomas has produced an engagingly written, ground-breaking work that is bolstered by an apposite selection of attractive illustrations. It raises fundamental questions about the complex power dynamics between writers, artists, composers, editors, and publishers in the production of textual authority and is likely to remain for some time as the “point de référence” for any scholar seeking to understand the history of Lautréamont reception."" - Damian Catani, Birkbeck University of London" Thomas has produced an engagingly written, ground-breaking work that is bolstered by an apposite selection of attractive illustrations. It raises fundamental questions about the complex power dynamics between writers, artists, composers, editors, and publishers in the production of textual authority and is likely to remain for some time as the point de reference for any scholar seeking to understand the history of Lautreamont reception. - Damian Catani, Birkbeck University of London ""Thomas has produced an engagingly written, ground-breaking work that is bolstered by an apposite selection of attractive illustrations. It raises fundamental questions about the complex power dynamics between writers, artists, composers, editors, and publishers in the production of textual authority and is likely to remain for some time as the “point de référence” for any scholar seeking to understand the history of Lautréamont reception."" - Damian Catani, Birkbeck University of London Author InformationTab Content 6Author Website:Countries AvailableAll regions |