Laughing Matters: Farce and the Making of Absolutism in France

Awards:   Winner of Shortlisted for the Wallace Ferguson Book Prize (C.
Author:   Sara Beam
Publisher:   Cornell University Press
ISBN:  

9780801445606


Pages:   280
Publication Date:   04 April 2007
Format:   Hardback
Availability:   To order   Availability explained
Stock availability from the supplier is unknown. We will order it for you and ship this item to you once it is received by us.

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Laughing Matters: Farce and the Making of Absolutism in France


Awards

  • Winner of Shortlisted for the Wallace Ferguson Book Prize (C.

Overview

Full Product Details

Author:   Sara Beam
Publisher:   Cornell University Press
Imprint:   Cornell University Press
Dimensions:   Width: 15.50cm , Height: 2.40cm , Length: 23.50cm
Weight:   0.907kg
ISBN:  

9780801445606


ISBN 10:   0801445604
Pages:   280
Publication Date:   04 April 2007
Audience:   College/higher education ,  Professional and scholarly ,  Undergraduate ,  Postgraduate, Research & Scholarly
Format:   Hardback
Publisher's Status:   Active
Availability:   To order   Availability explained
Stock availability from the supplier is unknown. We will order it for you and ship this item to you once it is received by us.

Table of Contents

Reviews

Laughing Matters is a fine work of scholarship that should be of interest to all historians of early modern France as well as cultural historians and students of the history of theater. In seven brisk chapters, Sara Beam deftly takes readers across two centuries of the Ancien Regime, from the Renaissance to the apogee of absolutist rule under Louis XIV, and along the way presents a kind of crystallized cultural history of the period. Although she focuses on theater, both popular and official, both in the streets and royal venues, both amateur and professional, she shows how theatrical history is too important to be left to the specialists. Robert A. Schneider, Indiana University


Laughing Matters is a fine work of scholarship that should be of interest to all historians of early modern France as well as cultural historians and students of the history of theater. In seven brisk chapters, Sara Beam deftly takes readers across two centuries of the Ancien Regime, from the Renaissance to the apogee of absolutist rule under Louis XIV, and along the way presents a kind of crystallized cultural history of the period. Although she focuses on theater, both popular and official, both in the streets and royal venues, both amateur and professional, she shows how theatrical history is too important to be left to the specialists. -Robert A. Schneider, Indiana University


Author Information

Sara Beam is Assistant Professor of History at the University of Victoria.

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