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OverviewModern European literature has traditionally been seen as a series of attempts to assert successive styles of writing as 'new'. In this groundbreaking study, Ben Hutchinson argues that literary modernity can in fact be understood not as that which is new, but as that which is 'late'. Exploring the ways in which European literature repeatedly defines itself through a sense of senescence or epigonality, Hutchinson shows that the shifting manifestations of lateness since romanticism express modernity's continuing quest for legitimacy. With reference to a wide range of authors--from Mary Shelley, Chateaubriand, and Immermann, via Baudelaire, Henry James, and Nietzsche, to Valery, Djuna Barnes, and Adorno-- he combines close readings of canonical texts with historical and theoretical comparisons of numerous national contexts. Out of this broad comparative sweep emerges a taxonomy of lateness, of the diverse ways in which modern writers can be understood, in the words of Nietzsche, as 'creatures facing backwards'. Ambitious and original, Lateness and Modern European Literature offers a significant new model for understanding literary modernity. Full Product DetailsAuthor: Ben Hutchinson (Professor of European Literature, Professor of European Literature, University of Kent)Publisher: Oxford University Press Imprint: Oxford University Press Dimensions: Width: 16.90cm , Height: 2.70cm , Length: 23.50cm Weight: 0.732kg ISBN: 9780198767695ISBN 10: 0198767692 Pages: 404 Publication Date: 11 August 2016 Audience: College/higher education , Professional and scholarly , Tertiary & Higher Education , Professional & Vocational Format: Hardback Publisher's Status: Active Availability: To order ![]() Stock availability from the supplier is unknown. We will order it for you and ship this item to you once it is received by us. Table of ContentsIntroduction Part One: From Late to Post-Romanticism 1: 'The Spirit of the Age' 2: 'A book read to its end': The post-Napoleonic consciousness 3: Late Romanticism and 'lastness' 4: French Romanticism and the spirit of the past 5: Epigonentum in Germany of the 1830s Part Two: Decadence 6: Modes of falling: Romantic décadence in the 1830s 7: 'Ageing passions': 1850s-1860s 8: Models of lateness in the 1880s 9: English decadence: 'Late-learning' in a French school 10: Friedrich Nietzsche and the 'Latecomers' of Modernity 11: 'Fin de Siecle and No End': The Austrian Art of Being Late Part Three: Modernism 12: Lateness as 'embarrassment': Paul Valéry 13: Lateness as 'decline': Oswald Spengler, Nicholas Berdyaev, Hellmuth Plessner, Arnold Gehlen 14: Lateness as 'a European language': Theodor W. Adorno and late style 15: Lateness as 'hollowing out': T.S. Eliot, Ernst Bloch, Wyndham Lewis, D.H. Lawrence 16: Lateness as 'myth': Eugene Jolas, Gottfried Benn, Hermann Broch 17: Lateness as 'eschatology': Futurism, Expressionism, decadent modernism Epilogue: The Vertigo of Lateness Bibliography IndexReviewsan impressive tour d'horizon ... succeeds admirably in unpicking the many strands of meaning in which the idea of lateness has become entangled * Joe Paul Kroll, Times Literary Supplement * sees a whole rich tradition of lateness * Andrew O'Hagan, London Review of Books * an ambitious work with a grand scope ... meticulously demonstrates the prevalence of lateness as a topic in modern literature * Marlo Alexandra Burks, Comparative Literature Studies * an illuminating survey of lateness in European culture * Kevin Brazil, Modernism/Modernity * Author InformationBen Hutchinson is Professor of European Literature at the University of Kent. He has published widely on German, French, and English literature, including the monographs Rilke's Poetics of Becoming (2006), W. G. Sebald. Die dialektische Imagination (2009), and Modernism and Style (2011), as well as the co-edited volumes Archive: Comparative Critical Studies 8: 2-3 (2011) and A Literature of Restitution: Critical Essays on W.G. Sebald (2013). He is also active as a critic, writing for publications including the Times Literary Supplement, The Observer, and the Literary Review. In 2011, he was awarded a Philip Leverhulme Prize. Tab Content 6Author Website:Countries AvailableAll regions |