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OverviewThe photographs of Jock Sturges are the record of people he cherishes: mothers and daughters, friends, children. Before his 8X10 camera, they show their relationship not only one to another, but also of the inner self to the world. Magical in their detail, these images are a collaboration of trust and admiration between artist and subject. Jayne Anne Phillip's compelling prose both illuminates the photographs and explores the unending sensuality and complexity of the bond between mother and child. Full Product DetailsAuthor: Jock Sturges , Jock SturgesPublisher: Aperture Imprint: Aperture Edition: New edition Dimensions: Width: 24.30cm , Height: 1.70cm , Length: 28.80cm Weight: 0.300kg ISBN: 9780893814946ISBN 10: 0893814946 Pages: 96 Publication Date: 15 June 2005 Audience: General/trade , General Format: Hardback Publisher's Status: Out of Stock Indefinitely Availability: Awaiting stock Table of ContentsReviewsIn the fifty-eight images of this handsome, cleanly designed monograph, Sturges sustains a delicate balance on a very precarious wire. He engages us through the tension of polarities: between public and private, between tact and frankness, between childhood and adolescence, between male and female, between artist and model...His purity of intent shines through in the images. His struggle is to observe and render his subjects in all of their complexities, trembling on the cusp of change. The result of this long-term, communal effort is one of the most clear-eyed, responsible investigations of puberty and the emergence of sexuality in the medium's history, making a metaphor of the metamorphosis from child to adult.--A. D. Coleman, The New York Observer This is a truly beautiful and compelling group of photographs, an expression of innocence not lost by knowledge.--Eric Fischl The gelatin silver prints luxuriate in textures of sand, flesh, cloth, tide pools and gentle waves...superbly printed, expressive in their modulations of light and joyful tonalities...the high mark of Sturges' work is its naturalness, its gentle attentions to the pleasure that can be found in life.--Kelly Wise, The Boston Globe In the fifty-eight images of this handsome, cleanly designed monograph, Sturges sustains a delicate balance on a very precarious wire. He engages us through the tension of polarities: between public and private, between tact and frankness, between childhood and adolescence, between male and female, between artist and model...His purity of intent shines through in the images. His struggle is to observe and render his subjects in all of their complexities, trembling on the cusp of change. The result of this long-term, communal effort is one of the most clear-eyed, responsible investigations of puberty and the emergence of sexuality in the medium's history, making a metaphor of the metamorphosis from child to adult. --A. D. Coleman, The New York Observer This is a truly beautiful and compelling group of photographs, an expression of innocence not lost by knowledge. --Eric Fischl The gelatin silver prints luxuriate in textures of sand, flesh, cloth, tide pools and gentle waves...superbly printed, expressive in their modulations of light and joyful tonalities...the high mark of Sturges' work is its naturalness, its gentle attentions to the pleasure that can be found in life. --Kelly Wise, The Boston Globe In the fifty-eight images of this handsome, cleanly designed monograph, Sturges sustains a delicate balance on a very precarious wire. He engages us through the tension of polarities: between public and private, between tact and frankness, between childhood and adolescence, between male and female, between artist and model...His purity of intent shines through in the images. His struggle is to observe and render his subjects in all of their complexities, trembling on the cusp of change. The result of this long-term, communal effort is one of the most clear-eyed, responsible investigations of puberty and the emergence of sexuality in the medium's history, making a metaphor of the metamorphosis from child to adult. --A. D. Coleman, The New York Observer <br> This is a truly beautiful and compelling group of photographs, an expression of innocence not lost by knowledge. --Eric Fischl <br> The gelatin silver prints luxuriate in textures of sand, flesh, cloth, tide pools and gentle waves...superbly printed, expressive in their modulations of light and joyful tonalities...the high mark of Sturges' work is its naturalness, its gentle attentions to the pleasure that can be found in life. --Kelly Wise, The Boston Globe <br> Author InformationJock Sturges received a B.A. in Perceptual Psychology and Photography from Marlboro College in Vermont and an M.F.A. from the San Francisco Art Institute. He has exhibited widely in the United States as well as in France and Japan. His photographs are in the collections of the Museum of Modern Art and the Metropolitan Museum of Art in New York, and the Bibliothèque Nationale in Paris. Jayne Anne Phillips has received two fellowships from the National Endowment for the Arts, as well as a Guggenheim fellowship. She is the author of Black Tickets (1979), Fast Lanes (1987), and MotherKind (2000). Tab Content 6Author Website:Countries AvailableAll regions |
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