Overview

Last Boat to Yokohama tells a story of both tragedy and grandeur in the 20th century. It recounts the life and work of Beate Sirota Gordon: the influence of her father, Leo Sirota, one of the greatest pianists of his generation; her secret work ensuring women's equality while helping to develop the post-WWII Japanese constitution-at the age of 22; her broad influence on hundreds of Western artists such as Robert Wilson, David Byrne and Peter Sellars-who were introduced to leading contemporary Asian music, dance, theater and visual artists through her extraordinary cross-cultural efforts. The book relives Beate's drive, talent, ambition, and influence, with intimate diary excerpts from her mother, an introduction by Beate herself, and an afterword from her daughter, Nicole.

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9781941110188

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Reviews

A woman with the courage to match her convictions. --Yoko Ono A remarkable life... Fascinating. --YoYo Ma Gordon's personal story will enlighten all who question the importance of women's presence in the corridors of power. --Gloria Steinem [Beate] was outstandingly brave and lit the way for others who not only love Asia, but also need to experience it from the inside, not just from afar. --Julie Taymor, Broadway director

A woman with the courage to match her convictions. --Yoko Ono A remarkable life. . . . Fascinating. --YoYo Ma Gordon's personal story will enlighten all who question the importance of women's presence in the corridors of power. --Gloria Steinem [Beate] was outstandingly brave and lit the way for others who not only love Asia, but also need to experience it from the inside, not just from afar. --Julie Taymor, Broadway director

All of us have a lot to learn from Beate Gordon--a woman with the courage to match her convictions. --Yoko Ono A fascinating book about an extraordinary woman. --BookPleasures Last Boat to Yokohama is a necessary addition to myriad of books written about World War II. It is complementary to Beate Sirota Gordon's memoir The Only Woman in the Room and deserves a place in any school, public or personal library. --Anne Lee, Shojo Power A splendid book. You must get a copy of LAST BOAT TO YOKOHAMA for yourself. I will not lend mine. --Dick Cavett, talk show host, actor, writer An important book. Every woman on both sides of the Pacific should know about Beate Sirota Gordon and what she did for the women of Japan. --Martha Burk, Ms. Magazine An inspiring book about an inspiring woman. --Tommy Koh, Ambassador-at-Large, Ministry of Foreign Affairs, Singapore; and Chairperson, Water Leaders Summit What [Beate] did as a woman in helping to create Japan's new constitution is historic. Few women of the 20th century have had her courage and vision. --Robert Wilson, experimental theater director and playwright [Beate Gordon's] contribution in drafting language about women's rights for the new constitution was instrumental in effecting significant cultural change. Later, she would pursue a career in the performing arts in New York, where through her work at the Japan Society she brought the very essence of what was precious in Japanese culture and art to America. Read Last Boat to Yokohama and be inspired by her remarkable life. --Yo-Yo Ma, cellist

Author Information

Nassrine Azimi has co-founded and now coordinates the Green Legacy Hiroshima (GLH) Initiative, a global campaign to plant seeds and saplings of trees that survived the atomic bombing of Hiroshima worldwide. She established the Hiroshima Office for Asia and the Pacific, United Nations Institute for Training and Research (UNITAR), in 2003. Azimi has written and published extensively on training, UN peacekeeping, post-conflict reconstruction, and environmental governance. Her op-ed pieces have appeared regularly in the international press. She lives in Hiroshima, Japan. Michel Wasserman is the former director of the Kyoto French Cultural Institute and of a French ""artist in residence"" program in Kyoto, the Villa Kujoyama. He is currently professor at the College of International Relations, Ritsumeikan University. A Paris III doctor in oriental studies, Michel Wasserman has worked and written extensively on Japanese traditional theatre, especially Kabuki, and has also published various books on the reception of western music in Japan. He lives in Kyoto, Japan.

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