Las Vegas in the Rearview Mirror – The City in Thepru, Photography and Film

Author:   . Stierli
Publisher:   Getty Trust Publications
ISBN:  

9781606061374


Pages:   352
Publication Date:   25 April 2013
Format:   Paperback
Availability:   Out of stock   Availability explained
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Las Vegas in the Rearview Mirror – The City in Thepru, Photography and Film


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Overview

Learning from Las Vegas, published in 1972 by the architects Robert Venturi, Denise Scott Brown, and Steven Izenour, marks the turn in architectural theory from modern to post-modern. Martino Stierli explores the significance of this controversial publication by situating it in the artistic, architectural, and urbanist discourse of the 1960s and ’70s, and by evaluating the book’s enduring influence on visual studies and architectural research. Stierli provides an original, in-depth analysis of the postmodern image of the city and the representation of urban form in visual media, graphics, and typography. Referencing cinematic visualization, the authors of Learning from Las Vegas documented a sprawling postwar American city from a moving car. Stierli examines this methodology against the background of contemporary pop and conceptual art, including the work of artists Ed Ruscha and Stephen Shore. Using both text and image, Stierli assesses the broad intellectual impact of this architectural manifesto and explains why the lessons from Learning from Las Vegas remain relevant today.

Full Product Details

Author:   . Stierli
Publisher:   Getty Trust Publications
Imprint:   Getty Publications
Dimensions:   Width: 17.50cm , Height: 2.30cm , Length: 25.70cm
Weight:   0.944kg
ISBN:  

9781606061374


ISBN 10:   1606061372
Pages:   352
Publication Date:   25 April 2013
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Paperback
Publisher's Status:   Active
Availability:   Out of stock   Availability explained
The supplier is temporarily out of stock of this item. It will be ordered for you on backorder and shipped when it becomes available.

Table of Contents

Reviews

Martino Stierli examines Learning from Las Vegas as an urbanist analysis, within the artistic and architectural context of 1960s-70s pop culture, high and low art, and urban forms. --Book News Las Vegas in the Rearview Mirror brings to bear an impressive array of sources, a profound knowledge of architectural history and urbanism, as well as numerous contextual disciplines, to dissect Learning from Las Vegas as a research seminar, a published artifact, a sophisticated analytical program, an ideological statement, and the epicenter of a debate about the form of the American city. --Artillery Magazine When published in 1972, Learning from Las Vegas (CH, Mar'73) met a storm of protest because it seemed to sanctify so much that long had been cast as detritus, including parking lots and enormous, garish signs. But for the authors (architect Robert Venturi; his wife, planner Denise Scott Brown; and their associate, Steven Izenour), the Strip in Las Vegas represented the quintessential expression of the contemporary American city--an archetype that should afford a basis for developing designs that were meaningful to the public. In the past 40-plus years, the book--arguably among the most important 20th-century publications on urbanism--has had an enduring impact on the way many people think about and shape the urban environment at home and abroad. Stierli (Univ. of Zurich, Switzerland) here provides a meticulous assessment of the context in which that book was written. His new book is rich with insights about Venturi and Scott Brown, underscoring the latter's essential role in the study. But Stierli's most important contribution is providing a fresh examination of planning, design, and critical thinking about the built environment in the US and Europe during the third quarter of the 20th century for specialists concerned with that subject. Summing Up: Essential. Upper-level undergraduates and above. --Choice


When published in 1972, Learning from Las Vegas (CH, Mar'73) met a storm of protest because it seemed to sanctify so much that long had been cast as detritus, including parking lots and enormous, garish signs. But for the authors (architect Robert Venturi; his wife, planner Denise Scott Brown; and their associate, Steven Izenour), the Strip in Las Vegas represented the quintessential expression of the contemporary American city--an archetype that should afford a basis for developing designs that were meaningful to the public. In the past 40-plus years, the book--arguably among the most important 20th-century publications on urbanism--has had an enduring impact on the way many people think about and shape the urban environment at home and abroad. Stierli (Univ. of Zurich, Switzerland) here provides a meticulous assessment of the context in which that book was written. His new book is rich with insights about Venturi and Scott Brown, underscoring the latter's essential role in the study. But Stierli's most important contribution is providing a fresh examination of planning, design, and critical thinking about the built environment in the US and Europe during the third quarter of the 20th century for specialists concerned with that subject. Summing Up: Essential. Upper-level undergraduates and above. -- Choice


Martino Stierli examines Learning from Las Vegas as an urbanist analysis, within the artistic and architectural context of 1960s-70s pop culture, high and low art, and urban forms. -- Book News When published in 1972, Learning from Las Vegas (CH, Mar'73) met a storm of protest because it seemed to sanctify so much that long had been cast as detritus, including parking lots and enormous, garish signs. But for the authors (architect Robert Venturi; his wife, planner Denise Scott Brown; and their associate, Steven Izenour), the Strip in Las Vegas represented the quintessential expression of the contemporary American cityan archetype that should afford a basis for developing designs that were meaningful to the public. In the past 40-plus years, the bookarguably among the most important 20th-century publications on urbanismhas had an enduring impact on the way many people think about and shape the urban environment at home and abroad. Stierli (Univ. of Zurich, Switzerland) here provides a meticulous assessment of the context in which that book was written. His new book is rich with insights about Venturi and Scott Brown, underscoring the latter's essential role in the study. But Stierli's most important contribution is providing a fresh examination of planning, design, and critical thinking about the built environment in the US and Europe during the third quarter of the 20th century for specialists concerned with that subject. Summing Up: Essential. Upper-level undergraduates and above. Choice Las Vegas in the Rearview Mirror brings to bear an impressive array of sources, a profound knowledge of architectural history and urbanism, as well as numerous contextual disciplines, to dissect Learning from Las Vegas as a research seminar, a published artifact, a sophisticated analytical program, an ideological statement, and the epicenter of a debate about the form of the American city. Artillery Magazine Martino Stierli examines Learning from Las Vegas as an urbanist analysis, within the artistic and architectural context of 1960s70s pop culture, high and low art, and urban forms. Book News Martino Stierli examines Learning from Las Vegas as an urbanist analysis, within the artistic and architectural context of 1960s-70s pop culture, high and low art, and urban forms. --Book News Las Vegas in the Rearview Mirror brings to bear an impressive array of sources, a profound knowledge of architectural history and urbanism, as well as numerous contextual disciplines, to dissect Learning from Las Vegas as a research seminar, a published artifact, a sophisticated analytical program, an ideological statement, and the epicenter of a debate about the form of the American city. --Artillery Magazine When published in 1972, Learning from Las Vegas (CH, Mar'73) met a storm of protest because it seemed to sanctify so much that long had been cast as detritus, including parking lots and enormous, garish signs. But for the authors (architect Robert Venturi; his wife, planner Denise Scott Brown; and their associate, Steven Izenour), the Strip in Las Vegas represented the quintessential expression of the contemporary American city--an archetype that should afford a basis for developing designs that were meaningful to the public. In the past 40-plus years, the book--arguably among the most important 20th-century publications on urbanism--has had an enduring impact on the way many people think about and shape the urban environment at home and abroad. Stierli (Univ. of Zurich, Switzerland) here provides a meticulous assessment of the context in which that book was written. His new book is rich with insights about Venturi and Scott Brown, underscoring the latter's essential role in the study. But Stierli's most important contribution is providing a fresh examination of planning, design, and critical thinking about the built environment in the US and Europe during the third quarter of the 20th century for specialists concerned with that subject. Summing Up: Essential. Upper-level undergraduates and above. --Choice -Martino Stierli examines Learning from Las Vegas as an urbanist analysis, within the artistic and architectural context of 1960s-70s pop culture, high and low art, and urban forms.---Book News -When published in 1972, Learning from Las Vegas (CH, Mar'73) met a storm of protest because it seemed to sanctify so much that long had been cast as detritus, including parking lots and enormous, -garish- signs. But for the authors (architect Robert Venturi; his wife, planner Denise Scott Brown; and their associate, Steven Izenour), the Strip in Las Vegas represented the quintessential expression of the contemporary American city--an archetype that should afford a basis for developing designs that were meaningful to the public. In the past 40-plus years, the book--arguably among the most important 20th-century publications on urbanism--has had an enduring impact on the way many people think about and shape the urban environment at home and abroad. Stierli (Univ. of Zurich, Switzerland) here provides a meticulous assessment of the context in which that book was written. His new book is rich with insights about Venturi and Scott Brown, underscoring the latter's essential role in the study. But Stierli's most important contribution is providing a fresh examination of planning, design, and critical thinking about the built environment in the US and Europe during the third quarter of the 20th century for specialists concerned with that subject. Summing Up: Essential. Upper-level undergraduates and above.- --Choice


Author Information

Martino Stierli holds a Swiss National Science Foundation Professorship at the Institute of Art History at the University of Zurich. He is a freelance curator and a widely published author.

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