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These essays by A.W. Moore are all concerned with the business of representing how things are - its nature, its scope, and its limits. The essays in Part One deal with linguistic representation and discuss topics such as rules of representation and their nature, the sorites paradox, and the very distinction between sense and nonsense. Wittgenstein's work, both early and late, figures prominently. One thesis that surfaces at various points is that some things are beyond representation. The essays in Part Two deal with representation more generally and with the character of what is represented, and owe much to Bernard Williams's argument for the possibility of representation from no point of view. They touch more or less directly on the distinction between representation from a point of view and representation from no point of view-in some cases by exploring various consequences of Kant's belief that representation of how things are physically is always, eo ipso, representation from a point of view. One thesis that surfaces at various points is that nothing is beyond representation. Each of the essays in Part Three, which draw inspiration from the early work of Wittgenstein, indicate how the resulting tension between Parts One and Two is to be resolved: namely, by construing the first part as a thesis about states of knowledge or understanding, and the second part as a thesis about facts or truths.

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A.W. Moore, St Hugh's College, University of Oxford A.W. Moore is Professor of Philosophy at the University of Oxford and Tutorial Fellow in Philosophy at St Hugh's College, Oxford, where he is also Vice-Principal. He studied Philosophy as an undergraduate in Cambridge and did postgraduate work in Oxford, where he obtained his doctorate under the supervision of Michael Dummett. He has held teaching and research positions at University College, Oxford, and King's College, Cambridge, and is one of Bernard Williams' literary executors. He is joint editor, with Lucy O'Brien, of the journal Mind. In 2016 he wrote and presented the series A History of the Infinite on BBC Radio 4.

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