Overview

In Maine, people are either ""from here,"" born and raised, or ""from away."" In LandTrust, Katherine Hagopian Berry explores what it means to learn the language of a place. Spiraling out from poems of displacement, alienation, loss and futility, LandTrust concludes with poems of connection, kinship and belonging. These are poems that strive to listen deeply to land: the land you find yourself loving, the land you find yourself on.

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9781737574002

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LandTrust is a field guide to a renewed relationship with place. Each poem in this book, written as its own beautiful journey, offers a way into an exploration. Not just of the many places that Hagopian Berry writes about, but into our own inner landscapes. As we move through the poems on the page, we also journey through the ways we think about and see land and ourselves. LandTrust is an elegantly written, personal invitation to recovering our oldest relationship. This book has to power to heal - as we restore our own inner landscapes, we are moved to restore the land. - CMarie Fuhrman, Director of Poetry, Graduate Program in Creative Writing, Western Colorado University Katherine Hagopian Berry's LandTrust builds a poignant bridge between the natural and human worlds, steadily enlarging a relationship of trust - of empathy, and fidelity - between the human voice and the land/earth. Hagopian Berry's words carry a devotion of watching and listening, a language that transcends the Anthropocene point of view, as she pursues with luminous heart and intelligence the question of How to make this earth my own. There is a sense of enchantment to these poems that touch the earth like red embers burning, the sounding, our voices, the bright bringing dawn. LandTrust repays repeated readings, just as the land itself repays faithful returns. - Claire Millikin, author of Dolls (2Leaf Press, 2021) In LandTrust, poems wind and unwind in spirals, from heartbreak to healing, from the extinction of species to mud season in Maine. With clarity and skill, the speaker explores her position in our environmental crisis. Hagopian Berry asks: Imagine me / standing like a dragonfly / at your shoulder. With devastating humor - The ivory-billed woodpecker was declared extinct today / which is why I threw a fit about paper napkins - the reader is held gently. In this startling collection, Hagopian Berry's poems expose our vulnerabilities but ultimately name our power and give us breath. - Robert Carr, author of The Unbuttoned Eye (3: A Taos Press, 2019)

Author Information

Katherine Hagopian Berry has appeared in the Café Review, Enough: Poems of Resistance and Protest, A Dangerous New World: Maine Voices on the Climate Crisis, Balancing Act II: An Anthology of Poetry by Fifty Maine Women, Glass: Poet's Resist, and been a finalist and showcase performer at the Belfast Poetry Festival. Her collection of poetry, Mast Year, was published by Littoral Books in March 2020; and Orbit was published by Toad Hall Editions in 2022. She is a poetry reader for The Maine Review. Katherine lives and writes in Bridgton, Maine. Martin Bridge's work spans a wide range of media. He bridges realms of science and mysticism in an effort to challenge the cultural paradigms that dictate how we relate to both the natural world as well as our brothers and sisters. www.thebridgebrothers.com

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