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At a time when division, polarization, and antagonisms pervade the United States, here is hope for the future. Landscapes of Hope shows how people from all walks of life and backgrounds can come together, talk and work out details, compromise, and do something special for generations to come: safeguarding 900,000 acres of spectacular wild country in Utah. Perched on the western edge of the Colorado Plateau, the Greater San Rafael Swell spans 8,000 square miles in south-central Utah and showcases a rich tapestry of landscapes. Its colorful geological strata span 350 million years of Earth's history and contain a remarkably well-preserved fossil record from times when primitive marine species first emerged, to the era of dinosaurs and the appearance of large mammals. The region's arid climate and isolation have also worked together to preserve cultural artifacts left by Indigenous peoples who occupied the area for more than ten millennia. As the treasures of the Greater San Rafael Swell became widely known during the 1960s, conservationists undertook campaigns to designate large tracts of public lands in the region as wilderness, where ""the earth and its community of life are untrammeled by man, where man himself is a visitor who does not remain."" Initially, some residents of Emery County, located at the heart of the Greater Swell, strongly opposed these efforts, concerned that wilderness designations could limit ranching and mining, undermine residents' livelihoods, and sever their cultural ties to the lands. At first, reconciling these opposing views seemed impossible, but, starting in the late 1990s, Emery County leaders and residents engaged a wide spectrum of stakeholders in discussions spanning more than two decades. In 2019, their efforts to find common ground culminated in the passage of the John D. Dingell Jr. Conservation, Management, and Recreation Act. This comprehensive federal legislation designated substantial portions of public lands for multiple uses, while creating twenty-five new wilderness and other protected areas, safeguarding nearly 900,000 acres. Landscapes of Hope celebrates the commitment of those who take rightful pride in their legacy and who forged the legislation, conserving landscapes of extraordinary beauty and profound cultural importance. The fruits of their endeavors are portrayed in photographs and stories that showcase the sublime grandeur of the areas now protected in perpetuity. AUTHOR: Stephen E. Strom spent 45 years as a distinguished research astronomer at Harvard University, SUNY Stony Brook, and the University of Massachusetts. At the time of his retirement in 2007, he was Associate Director for Science at the National Optical Astronomy Observatory. In 1978, Strom also began to make fine art photographs of the American West. His work has been exhibited widely throughout the U.S. and is in the permanent collections of the Center for Creative Photography and Museum of Fine Arts, Boston, among others. For all of his books, Strom has collaborated with distinguished poets, writers, scientists, and curators in his other books of photography: Bears Ears: Views from a Sacred Land (George F. Thompson, 2018), Tidal Rhythms: Change and Resilience at the Edge of the Sea (George F. Thompson, 2016), Death Valley: Painted Light (George F. Thompson, 2016), Earth and Mars: A Reflection (Arizona, 2015), Sand Mirrors (Polytropos, 2012), Earth Forms (Dewi Lewis, 2009), Otero Mesa: Preserving America's Wildest Grasslands (New Mexico, 2008), Sonoita Plain: Views from a Southwestern Grassland (Arizona, 2005), Tseyi / Deep in the Rock: Reflections on Canyon de Chelly (Arizona, 2005), and Secrets from the Center of the World (Arizona, 1989). Kathleen Dean Moore is a philosopher, activist, and award-winning nature writer who for many years was a professor of environmental ethics at Oregon State University. Kathleen's essays have appeared in magazines such as The Atlantic, Audubon, Conservation Biology, Discover, High Country News, Orion, and The New York Times Magazine, and many others. She is the author and co-editor of numerous books about nature and climate ethics, including, most recently, Take Heart: Encouragement for Earth's Weary Lovers (Oregon State University Press, 2022), Bearing Witness: The Human Rights Case Against Fracking and Climate Change (Oregon State University Press, 2021), Earth's Wild Music: Celebrating and Defending the Songs of the Natural World (Counterpoint, . 2021), Great Tide Rising: Toward Clarity and Moral Courage in a Time of Planetary Change (Counterpoint, 2016), and Moral Ground: Ethical Action for a Planet in Peril (Trinity University Press, 2011), which was co-edited by Michael Nelson and featured a foreword by Desmond Tutu. 73 colour photographs, 11 colour maps

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Stephen E. Strom spent forty-five years as a distinguished research astronomer at Harvard University, SUNY Stony Brook, the University of Massachusetts, and the National Optical Astronomy Observatory (NOAO). At the time of his retirement in 2007, he was Associate Director for Science at NOAO (now NOIR Lab). In 1978, Strom also began to make fine-art photographs of the American West. His work has been exhibited widely throughout the U.S. and is in the permanent collections of the Center for Creative Photography and Museum of Fine Arts, Boston, among others. For all of his books of photography, Strom has collaborated with distinguished poets, writers, scientists, and curators: Bears Ears: Views from a Sacred Land (George F. Thompson Publishing, 2018), Tidal Rhythms: Change and Resilience at the Edge of the Sea (George F. Thompson Publishing, 2016), Death Valley: Painted Light (George F. Thompson Publishing, 2016), Earth and Mars: A Reflection (Arizona, 2015), Sand Mirrors (Polytropos, 2012), Earth Forms (Dewi Lewis, 2009), Otero Mesa: Preserving America's Wildest Grasslands (New Mexico, 2008), Sonoita Plain: Views from a Southwestern Grassland (Arizona, 2005), Tseyi / Deep in the Rock: Reflections on Canyon de Chelly (Arizona, 2005), and Secrets from the Center of the World (Arizona, 1989). Kathleen Dean Moore is a philosopher, activist, and award-winning nature writer who for many years was a professor of environmental ethics at Oregon State University. Her essays have appeared in The Atlantic, Audubon, Conservation Biology, Discover, High Country News, Orion, and The New York Times Magazine, among many others. She is the author and co-editor of numerous books about nature and climate ethics, including Take Heart: Encouragement for Earth's Weary Lovers (Oregon State University Press, 2022), Bearing Witness: The Human Rights Case against Fracking and Climate Change (Oregon State University Press, 2021), Earth's Wild Music: Celebrating and Defending the Songs of the Natural World (Counterpoint, 2021), Great Tide Rising: Toward Clarity and Moral Courage in a Time of Planetary Change (Counterpoint, 2016), and Moral Ground: Ethical Action for a Planet in Peril (Trinity University Press, 2011), which was co-edited by Michael Nelson and featured a foreword by Desmond Tutu.

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