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This is an utterly fresh and yet very disciplined account of Brown and his men . It will be an invaluable guide for readers who want to see a famous figure in contexts that extend their understanding of him. This is a book to reread, and a reference book that not just garden historians will want on their shelves, but historians of the eighteenth-century culture of England and its landscapes. --John Dixon Hunt, author of The Making of Place This is a most enjoyable and important book. It is the first to assess Brown s landscape revolution within the context of its time and to analyze the contribution to the eighteenth-century landscape style of his proteges and rivals. It presents a rounded picture of the way these practitioners responded to the directions of patrons to create a new template for the landscaped park. It also acknowledges that this move towards a more open, minimalist style began with the work of Bridgeman and Kent, and argues convincingly that many other landscape styles, especially the geometric and the Rococo, hung on well into Brown s career and, indeed, were still being promoted after his death. All this analysis is set intelligently against the social, cultural, political, agrarian, and architectural developments in the period. I have no doubt that it will prove to be the most important book to come out on Brown during the tercentenary. --Timothy Mowl, University of Bristol This is an utterly fresh and yet very disciplined account of Brown and his 'men'. It will be an invaluable guide for readers who want to see a famous figure in contexts that extend their understanding of him. This is a book to reread, and a reference book that not just garden historians will want on their shelves, but historians of the eighteenth-century culture of England and its landscapes. --John Dixon Hunt, author of The Making of Place This is a most enjoyable and important book. It is the first to assess Brown's landscape revolution within the context of its time and to analyze the contribution to the eighteenth-century landscape style of his proteges and rivals. It presents a rounded picture of the way these practitioners responded to the directions of patrons to create a new template for the landscaped park. It also acknowledges that this move towards a more open, minimalist style began with the work of Bridgeman and Kent, and argues convincingly that many other landscape styles, especially the geometric and the Rococo, hung on well into Brown's career and, indeed, were still being promoted after his death. All this analysis is set intelligently against the social, cultural, political, agrarian, and architectural developments in the period. I have no doubt that it will prove to be the most important book to come out on Brown during the tercentenary. --Timothy Mowl, University of Bristol

This is a most enjoyable and important book. It is the first to assess Brown's landscape revolution within the context of its time and to analyze the contribution to the eighteenth-century landscape style of his proteges and rivals. It presents a rounded picture of the way these practitioners responded to the directions of patrons to create a new template for the landscaped park. It also acknowledges that this move towards a more open, minimalist style began with the work of Bridgeman and Kent, and argues convincingly that many other landscape styles, especially the geometric and the Rococo, hung on well into Brown's career and, indeed, were still being promoted after his death. All this analysis is set intelligently against the social, cultural, political, agrarian, and architectural developments in the period. I have no doubt that it will prove to be the most important book to come out on Brown during the tercentenary. --Timothy Mowl, University of Bristol

This is a most enjoyable and important book. It is the first to assess Brown s landscape revolution within the context of its time and to analyze the contribution to the eighteenth-century landscape style of his proteges and rivals. It presents a rounded picture of the way these practitioners responded to the directions of patrons to create a new template for the landscaped park. It also acknowledges that this move towards a more open, minimalist style began with the work of Bridgeman and Kent, and argues convincingly that many other landscape styles, especially the geometric and the Rococo, hung on well into Brown s career and, indeed, were still being promoted after his death. All this analysis is set intelligently against the social, cultural, political, agrarian, and architectural developments in the period. I have no doubt that it will prove to be the most important book to come out on Brown during the tercentenary. --Timothy Mowl, University of Bristol

In the cluster of publications on Lancelot 'Capability' Brown coinciding with the tercentenary of his birth in 2016, Brown and Williamson's contribution stands out in its attempt to place the man and his oeuvre firmly into context. This should be essential reading for anyone wishing to understand the Brownian style of landscapes. For, as the authors capably illustrate, Brown was only one of many practitioners 'contriving improvements' in that manner in the second half of the eighteenth century. This book takes in a wide arc to explain the designs of Brown and his contemporaries--the aptly named 'Capability Men' of the title. . . . An enjoyable and highly informative read. -- Landscape History The authors primary goal is to allow students and scholars to distinguish the work of Brown from that of his rivals and followers. . . . There are many plans by other designers reproduced here, a contribution that on its own establishes the permanent usefulness of this book. -- Garden In this beautifully illustrated, thoroughly researched volume, the authors elucidate the social, cultural, political, and economic context within which Brown operated. His predecessors, imitators, rivals, and successors are all painstakingly documented to provide a rich composite portrait of the many influences at work in transforming the English landscape. Brown was indeed instrumental in ushering the landscape business into the modern era, but he was part of an intricate network of patrons, contractors, subcontractors, and suppliers. Many had different goals, tastes, and time lines. At times, Brown's contributions were more subtle and his transformations less total than reputed. This book is an important contribution to the history of landscape design. Recommend. -- Choice

In this beautifully illustrated, thoroughly researched volume, the authors elucidate the social, cultural, political, and economic context within which Brown operated. His predecessors, imitators, rivals, and successors are all painstakingly documented to provide a rich composite portrait of the many influences at work in transforming the English landscape. Brown was indeed instrumental in ushering the landscape business into the modern era, but he was part of an intricate network of patrons, contractors, subcontractors, and suppliers. Many had different goals, tastes, and time lines. At times, Brown's contributions were more subtle and his transformations less total than reputed. This book is an important contribution to the history of landscape design. Recommend. -- Choice

In this beautifully illustrated, thoroughly researched volume, the authors elucidate the social, cultural, political, and economic context within which Brown operated. His predecessors, imitators, rivals, and successors are all painstakingly documented to provide a rich composite portrait of the many influences at work in transforming the English landscape. Brown was indeed instrumental in ushering the landscape business into the modern era, but he was part of an intricate network of patrons, contractors, subcontractors, and suppliers. Many had different goals, tastes, and time lines. At times, Brown's contributions were more subtle and his transformations less total than reputed. This book is an important contribution to the history of landscape design. Recommend. --Choice

Author Information

Tom Williamson (Author) Tom Williamson is Professor of Landscape History at the University of East Anglia, and, with David Brown, author of Lancelot Brown and the Capability Men: Landscape Revolution in Eighteenth-century England (Reaktion, 2016). David Brown (Author) David Brown is Tutor of Landscape History at the University of Cambridge. Tom Williamson is Professor of Landscape History at the University of East Anglia. His books include Polite Landscapes: Gardens and Society in Eighteenth-century England (1998).

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