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OverviewDirected by the great Jean Renoir, ""La Grande Illusion"" (1937) is the finest of all anti-war films and a cinematic masterwork. Other films oppose war by showing its horror. Renoir's film holds the horror at arm's length to give us a clearer view of it. A prisoner-of-war drama, with brilliant performances from leading stars of its period, including Erich von Stroheim and Jean Gabin, the film combines popular appeal with a formal brilliance that allows a complex examination of how classes, nations and genders relate to one another. In this comprehensive and readable companion to the film, Martin O'Shaughnessy underlines its sharp intelligence. He shows how, not content to register the world as it is, the film plays off competing historical possibilities against each other, facing the public with their responsibility to shape the future. Locating the film in the context of Renoir's career, O'Shaughnessy discusses its use of stars, production history, set design and reception. He compares known drafts of the film with a previously undiscovered story outline, casting important new light on its genesis. Stressing how it spoke to its times, he also demonstrates how it speaks to us now. Full Product DetailsAuthor: Martin O'ShaughnessyPublisher: Bloomsbury Publishing PLC Imprint: I.B. Tauris Dimensions: Width: 13.80cm , Height: 1.30cm , Length: 21.60cm Weight: 0.181kg ISBN: 9781848850576ISBN 10: 1848850573 Pages: 136 Publication Date: 04 December 2009 Audience: General/trade , General Format: Paperback Publisher's Status: Out of Print Availability: In Print Limited stock is available. It will be ordered for you and shipped pending supplier's limited stock. Table of ContentsContents Acknowledgments Introduction 1 Contexts: A director and his two careers Cast and creative personnel Historical and political contexts 2 Genesis, evolution, preparation: A long gestation The evolving script The plagiarism case The set 3 Analysis: Structure Motifs Film style Shooting in deep time Sequences and scenes Misrepresenting the war? 4 Reception: Pre-war triumph Post-war controversy Serene mastery? Anti-Semitism? Conclusion Appendix 1: Renoi'r's films Appendix 2: Cast and creative personnel Appendix 3: The evolving script Appendix 4: Selected bibliographyReviews'Ginette Vincendeau has assembled an elite corps of film scholars to address a marvellous array of modern and classic French films with the close-up scrutiny they deserve.' - Dudley Andrew Author InformationThe author of this title is the Reader in Film Studies at Nottingham Trent University. He is one of the leading international specialists on Renoir and is the author of ""Jean Renoir"" (2000) and ""The New Face of Political Cinema"" (2007). Tab Content 6Author Website:Countries AvailableAll regions |
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