Overview

La Familia Michoacana burst onto the national stage on September 6, 2006, when ruffians crashed into the seedy Sol y Sombra nightclub in Uruapan, Michoacán, and fired shots into the air. They screamed at the revelers to lie down, ripped open a plastic bag, and lobbed five human heads onto the beer-stained black and white dance floor. The day before these macabre pyrotechnics, the killers seized their prey from a mechanic's shop and hacked off their heads with bowie knives while the men writhed in pain. ""You don't do something like that unless you want to send a big message,"" said a U.S. law-enforcement official, speaking on condition of anonymity about an act of human depravity that would ""cast a pall over the darkest nooks of hell."" The desperados left behind a note hailing their act as ""divine justice,"" adding that: ""The Family doesn't kill for money; it doesn't kill women; it doesn't kill innocent people; only those who deserve to die, die. Everyone should know . . . this is divine justice."" While claiming to do the ""Lord's work,"" the ruthless leaders of this syndicate have emerged as the dominant exporter of methamphetamines to the United States, even as they control scores of municipalities in Michoacán and neighboring states. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

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