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In Kitkitdizzi John Brantingham writes in such a way, that I felt I was walking with him through the forests and the mountains of the High Sierra, and learning a lot on the way. The drawings by Ann Brantingham that accompany the text and form a pictorial memoir, are exquisitely rendered like the prose. Her drawings invite close attention to the intricate patterns of nature. She often shows the veins of leaves and plants. And life pulses through the veins of the written part of this memoir too, in many different ways-in the present and the struggle not to be distracted from the moment, in interesting reflections back to the past-the author's childhood and lives of others who came before, the lives of the creatures in the park, the bears and the bats. It's a deeply engrossing and beautiful read. A memoir to dwell with and return to. -Jude Higgins, author of The Chemist's House (V. Press, 2017) At once luminous and restrained, the Brantinghams' memoir Kitkitdizzi unfolds like a contemplative picture book for adults. A master of nature writing, John Brantingham enjoins you to stop and appreciate the plants and animals around you. He does this paradoxically through a zen-like refusal of judgment. You don't need to be a backpacker, or even to like nature. You don't even need to remember the names of anything, although he will tell them to you. The only thing you have to do, J. Brantingham reminds us, is look. Through the act of perception, we simultaneously remember and forget ourselves, as we encounter our past identities-as well as the specters of those who also once walked the High Sierra-through our own process of walking through it. While his prose alternates between present and past, Ann Brantingham's elegant drawings call our attention to immediacy: to the miraculous symmetry of leaves, buds and stems. Through these details, we come ever closer to the world that J. Brantingham invokes verbally. The authors' lack of pretension is never naive, but rather knowing, and complex. This is not Wordsworth at Tintern Abbey, although Wordsworth is referenced; this work celebrates two American Basho's on their own journey with students and friends through the narrow interior of landscape and spirituality in the beautiful, threatened ecosphere of what is arguably the most ecologically variegated state in the union. -Stephanie Barbe Hammer, author of City Slicker: encounters with the outside If you only read one book this year, make it this one. John and Ann Brantingham's Kitkitdizzi: A Non-Linear Memoir of the High Sierra will take you where you need to be. In this time of uncertainty, as things seem broken beyond recognition and real problems drowned out by spectacle politics and commercial clamor, it is tempting to insulate through cynicism and despair. In Kitkitdizzi, the Brantinghams provide-quite literally-the oxygen we need. They teach us how to look anew at our world, to listen closely to the wind, feel our skin. Through this brilliant hybrid memoir, they gently remind us to see the light that is already there. -Kendall Johnson, author of Chaos & Ash, Black Box Poetics, Fireflies Against Darkness; contributing editor, Journal of Radical Wonder

"""In Kitkitdizzi John Brantingham writes in such a way, that I felt I was walking with him through the forests and the mountains of the High Sierra, and learning a lot on the way. The drawings by Ann Brantingham that accompany the text and form a pictorial memoir, are exquisitely rendered like the prose. Her drawings invite close attention to the intricate patterns of nature. She often shows the veins of leaves and plants. And life pulses through the veins of the written part of this memoir too, in many different ways-in the present and the struggle not to be distracted from the moment, in interesting reflections back to the past-the author's childhood and lives of others who came before, the lives of the creatures in the park, the bears and the bats. It's a deeply engrossing and beautiful read. A memoir to dwell with and return to."" -Jude Higgins, author of The Chemist's House (V. Press, 2017) ""At once luminous and restrained, the Brantinghams' memoir Kitkitdizzi unfolds like a contemplative picture book for adults. A master of nature writing, John Brantingham enjoins you to stop and appreciate the plants and animals around you. He does this paradoxically through a zen-like refusal of judgment. You don't need to be a backpacker, or even to ""like"" nature. You don't even need to remember the names of anything, although he will tell them to you. The only thing you have to do, J. Brantingham reminds us, is ""look."" Through the act of perception, we simultaneously remember and forget ourselves, as we encounter our past identities-as well as the specters of those who also once walked the High Sierra-through our own process of walking through it. While his prose alternates between present and past, Ann Brantingham's elegant drawings call our attention to immediacy: to the miraculous symmetry of leaves, buds and stems. Through these details, we come ever closer to the world that J. Brantingham invokes verbally. The authors' lack of pretension is never naïve, but rather knowing, and complex. This is not Wordsworth at Tintern Abbey, although Wordsworth is referenced; this work celebrates two American Basho's on their own journey with students and friends through the narrow interior of landscape and spirituality in the beautiful, threatened ecosphere of what is arguably the most ecologically variegated state in the union."" -Stephanie Barbé Hammer, author of City Slicker: encounters with the outside ""If you only read one book this year, make it this one. John and Ann Brantingham's Kitkitdizzi: A Non-Linear Memoir of the High Sierra will take you where you need to be. In this time of uncertainty, as things seem broken beyond recognition and real problems drowned out by spectacle politics and commercial clamor, it is tempting to insulate through cynicism and despair. In Kitkitdizzi, the Brantinghams provide-quite literally-the oxygen we need. They teach us how to look anew at our world, to listen closely to the wind, feel our skin. Through this brilliant hybrid memoir, they gently remind us to see the light that is already there."" -Kendall Johnson, author of Chaos & Ash, Black Box Poetics, Fireflies Against Darkness; contributing editor, Journal of Radical Wonder"

Author Information

John Brantingham was Sequoia and Kings Canyon National Parks' first poet laureate. His work has been featured in hundreds of magazines, Writers Almanac and The Best Small Fictions 2016 and 2022. He has nineteen books of poetry and fiction including Life: Orange to Pear (Bamboo Dart Press). He is the founder and general editor of The Journal of Radical Wonder. He lives in Jamestown, NY. You can find out more at https: //www.johnbrantingham.com/. Ann Brantingham is an artist focusing on flora and fauna. She taught art at Sequoia and Kings Canyon National Parks. Her work, featured at the Chautauqua Art Gallery, the dA Center for the Arts, The Sasse Museum, and the Progress Gallery, explores leaves and other natural elements in graphite on a small scale in order to experience the physicality of a branch or single leaf. Her hope is that through experiencing the environment around them, people will see that we have more similarities than differences and that through nature, we can find our peace. You can see her work at annbrantingham.com.

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