|
![]() |
|||
|
||||
OverviewFull Product DetailsAuthor: Richard Proudfoot (King's College London, UK) , William Shakespeare , Nicola Bennett (Independent Scholar, UK)Publisher: Bloomsbury Publishing PLC Imprint: The Arden Shakespeare Edition: New edition Dimensions: Width: 12.80cm , Height: 2.60cm , Length: 19.80cm Weight: 0.500kg ISBN: 9781903436387ISBN 10: 1903436389 Pages: 464 Publication Date: 24 August 2017 Audience: College/higher education , Professional and scholarly , Tertiary & Higher Education , Professional & Vocational Format: Paperback Publisher's Status: Active Availability: In Print ![]() This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us. Table of ContentsList of illustrations General editors' preface Preface Acknowledgements Introduction King Edward III Abbreviations and references IndexReviewsNo scholar could be better equipped to edit Edward III than Richard Proudfoot ... His coeditor Nicola Bennett has helped him bring a long-term project to fruition. The result is an indispensable guide to the understanding and appreciation of an uneven but intriguing drama ... The section of the introduction devoted to `the literary and dramatic reasons' for regarding Shakespeare as part-author of Edward III is especially impressive, as it sketches the pattern of thematic and structural resemblances with Richard II, Henry V, Richard III, The Two Gentlemen of Verona, and other Shakespeare plays. The place of Edward III in the Shakespeare canon seems now secure. * Bibliographical Society of America * Author InformationRichard Proudfoot served as Senior General Editor of the Arden Shakespeare for 35 years, until his retirement from King's in 1999. In 2001 The Arden Shakespeare published Proudfoot's Shakespeare: Text, Stage and Canon a critical overview of the scholarly achievements made in the field of Shakespeare studies by the end of the twentieth century. Having graduated from King's College, London, Nicola Bennett went on to train at the Webster Douglas Academy of Dramatic Art, after which she worked for several years in the theatre. She now works in publishing, primarily as a freelance copy-editor. Her publications include the Globe quarto edition of The Merry Devil of Edmonton (2000). Tab Content 6Author Website:Countries AvailableAll regions |