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OverviewFull Product DetailsAuthor: SanSan Kwan (Assistant Professor of Dance, Assistant Professor of Dance, University of California - Berkeley, Berkeley, CA, USA)Publisher: Oxford University Press Inc Imprint: Oxford University Press Inc Dimensions: Width: 23.60cm , Height: 1.80cm , Length: 16.00cm Weight: 0.505kg ISBN: 9780199921515ISBN 10: 0199921512 Pages: 224 Publication Date: 07 February 2013 Audience: College/higher education , Postgraduate, Research & Scholarly Format: Hardback Publisher's Status: Active Availability: To order ![]() Stock availability from the supplier is unknown. We will order it for you and ship this item to you once it is received by us. Table of ContentsPreface: Shanghai and Jin Xing Dance Theatre: Concealment and Emergence in the Process of Becoming Introduction: Feeling Each Other Move: Choreography as Subject and Method in a Study of the City Chapter 1: Jagged Presence in the Liquid City: Choreographing Hong Kong's Handover Chapter 2: Vibrating with Taipei: Cloud Gate Dance Theater and National Kinesthesia Chapter 3: America's Chinatown: Choreographing Illegible Collectivity Epilogue: Kinesthetic City IndexReviews<br> Kwan writes with a keen sensitivity to the micro-level kinesthetic forces of bodies in motion and the macro-level historical forces that shape place. The result is a series of nuanced and thoughtful readings of the politics of movement, location, and identity. --Anthea Kraut, Associate Professor, Department of Dance, University of California, Riverside <br><p><br> SanSan Kwan gracefully captures both the experiential dimensions and the larger significance of movement and dance. Her engaging study of choreography and urban space inspires us to think about Chinese identity in original, dynamic, and generative ways. --Josephine Lee, University of Minnesota <br><p><br> A fascinating portrayal of the texture of the Chinese city recounted from anovel standpoint, grounded both in an impeccable engagement with theory and a profoundly humane understanding of how the ordinary experience of the city is created. --Academia.edu<p><br> <br> Kwan writes with a keen sensitivity to the micro-level kinesthetic forces of bodies in motion and the macro-level historical forces that shape place. The result is a series of nuanced and thoughtful readings of the politics of movement, location, and identity. --Anthea Kraut, Associate Professor, Department of Dance, University of California, Riverside <br><p><br> SanSan Kwan gracefully captures both the experiential dimensions and the larger significance of movement and dance. Her engaging study of choreography and urban space inspires us to think about Chinese identity in original, dynamic, and generative ways. --Josephine Lee, University of Minnesota <br><p><br> Author InformationSanSan Kwan is an Associate Professor in the Department of Theater, Dance, and Performance Studies at the University of California, Berkeley. She has also taught at California State University, Los Angeles and the University of California, Riverside. She is co-editor, with Kenneth Speirs, of Mixing It Up: Multiracial Subjects. Her articles have appeared in The Drama Review and Performance Research, among other publications. Tab Content 6Author Website:Countries AvailableAll regions |