Overview

This book challenges the widespread view of Kierkegaard’s idiosyncratic and predominantly religious position on mimesis. Taking mimesis as a crucial conceptual point of reference in reading Kierkegaard, this book offers a nuanced understanding of the relation between aesthetics and religion in his thought. Kaftanski shows how Kierkegaard's dialectical-existential reading of mimesis interlaces aesthetic and religious themes, including the familiar core concepts of imitation, repetition, and admiration as well as the newly arisen notions of affectivity, contagion, and crowd behavior. Kierkegaard’s enduring relevance to the malaises of our own day is firmly established by his classic concern for the meaning of human life informed by reflective meditation on the mimeticorigins of the contemporary age. Kierkegaard, Mimesis, and Modernity will be of interest to scholars and advanced students working on Kierkegaard, Continental philosophy, the history of aesthetics, and critical and religious studies. Chapter 6 of this book is freely available as a downloadable Open Access PDF at http://www.taylorfrancis.com under a Creative Commons Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND) 4.0 license.

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Kaftanski's work is an important contribution to an influential body of works that has taken up the issues of authenticity and identity in modernity . . . Philosophers of religion, readers of Kierkegaard, and scholars of post-Kantian European philosophy more generally will benefit from Kaftanski's text immensely. Steven DeLay in Phenomenological Reviews

Author Information

Wojciech Kaftanski is a Postdoctoral Fellow and Communications Associate at the Human Flourishing Program at Harvard University. He is a former Postdoctoral Research Fellow at Husserl Archives/ Centre for Phenomenology and Continental Philosophy at KU Leuven, and a former House Foundation Fellow at the Hong Kierkegaard Library at St. Olaf College.

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