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The Keeper's Recital has enhanced the level of debate about the role of music in Irish cultural history. In highlighting it's historical marginalization, its author has forced us to confront (above all other considerations) the abject failure of the Irish educational system to raise the quality of music education in Ireland, especially in the period from 1920-1970. -Journal of Interdisciplinary History

The Keeper's Recital has enhanced the level of debate about the role of music in Irish cultural history. In highlighting it's historical marginalization, its author has forced us to confront (above all other considerations) the abject failure of the Irish educational system to raise the quality of music education in Ireland, especially in the period from 1920-1970. --Journal of Interdisciplinary History

“The Keeper’s Recital has enhanced the level of debate about the role of music in Irish cultural history. In highlighting it’s historical marginalization, its author has forced us to confront (above all other considerations) the abject failure of the Irish educational system to raise the quality of music education in Ireland, especially in the period from 1920-1970.” —Journal of Interdisciplinary History

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Harry White is Professor of Music at University College Dublin. His principal research interests are the music of Johann Joseph Fux, the cultural history of music in Ireland and the history of musicological thought since 1945.

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