Full Product Details
Author: Brian Inglis ,
Barry Smith
Publisher: Taylor & Francis Ltd
Imprint: Routledge
Weight: 0.430kg
ISBN: 9781138478435
ISBN 10: 1138478431
Pages: 170
Publication Date: 11 June 2019
Audience:
College/higher education
,
General/trade
,
Tertiary & Higher Education
,
General
Format: Hardback
Publisher's Status: Active
Availability: In Print
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.
Reviews
This collection provides an invaluable insight into Sorabji and Warlock's early musical careers, but also a fascinating account of their wider socio-cultural world which is so very different to today's new music world. In the course of the correspondence Sorabji begins composing and performing for the first time and it is thrilling to hear his thoughts on the works which began his long career. Works which seem to have arrived from nowhere but which formed the basis for much that followed. This is invaluable reading. Paul Jackson - British Music Society
extensive editorial annotations and references which are all quite fascinating ... provides a new contextual, critical and interpretative framework, incorporating many different perspectives. [Sorabji] comes across as extremely well read and full of knowledge of the very latest musical trends. His excitement in having found someone who shares his enthusiasms is palpable, but there is also sadness ... This collection provides an invaluable insight into Sorabji and Warlock's early musical careers, but also a fascinating account of their wider socio-cultural world which is so very different to today's new music world. In the course of the correspondence Sorabji begins composing and performing for the first time and it is thrilling to hear his thoughts on the works which began his long career. Works which seem to have arrived from nowhere but which formed the basis for much that followed. This is invaluable reading. Paul Jackson - British Music News the two editors ... do as much as possible to contextualise Sorabji's letters in a number of ways ... The [introductory] text, which is generously footnoted, is often thought provoking, and makes for very interesting reading. It provides a very adequate and perceptive background for what is to follow ... We have to acknowledge and thank Barry Smith for his diligence and perseverance in transcribing what was often a barely legible text into something that is readily readable. John Mitchell - Peter Warlock Society Newsletter snippets from Heseltine's correspondence with other confidantes ... [provide] fascinating insights into his changing perceptions of Sorabji ... The volume also provides illuminating context to its narrative by interspersing the letters with excerpts from contemporary articles from various newspapers and periodicals ... The editorial quality of the volume is high. The letters are accompanied with editorial footnotes that provide welcome explanations of many of the people and events in the letters, and the volume is appended by a comprehensive though not overburdened bibliography ... this volume represents a fascinating and valuable contribution to the patchy scholarly literature on Sorabji, as well as providing broader context of musical life in Britain in the early twentieth century. Philip Wheldon-Robinson - British Music Journal As the title suggests, the emphasis here is on Sorabji's musings ... to Heseltine, who is refracted through related correspondence and period publications. Far from having a jarring effect, this adds further colour and context, building a novel-like narrative (there is one stomach-churning moment) ... Sorabji has long been cast as an eccentric outsider; these letters are a reminder that, in the early 20th century, for a gay Indian man who loved alternative contemporary music, living in isolation was a means of self preservation. Claire Jackson - BBC Music Magazine This paperback is an object-lesson in how to present a correspondence when only one side of the exchange survives in the archive. Unfortunately, Sorabji failed to preserve the letters written to him by Philip Heseltine, so we only have his side of the correspondence, but one of the triumphs of this collection is that the letters are placed in context by a remarkably thorough scholarly infrastructure documenting Heseltine's activities at the time and deducing what he might have contributed. Sorabji writes at some length and, despite his sometimes wayward views, it is a vivid and compelling picture of the musical life of their circle at the time. Delius Society - Journal 170, Autumn 2021
This collection provides an invaluable insight into Sorabji and Warlock's early musical careers, but also a fascinating account of their wider socio-cultural world which is so very different to today's new music world. In the course of the correspondence Sorabji begins composing and performing for the first time and it is thrilling to hear his thoughts on the works which began his long career. Works which seem to have arrived from nowhere but which formed the basis for much that followed. This is invaluable reading. Paul Jackson - British Music Society 'This paperback is an object-lesson in how to present a correspondence when only one side of the exchange survives in the archive. Unfortunately, Sorabji failed to preserve the letters written to him by Philip Heseltine, so we only have his side of the correspondence, but one of the triumphs of this collection is that the letters are placed in context by a remarkably thorough scholarly infrastructure documenting Heseltine's activities at the time and deducing what he might have contributed. Sorabji writes at some length and, despite his sometimes wayward views, it is a vivid and compelling picture of the musical life of their circle at the time.' Delius Society Journal 170, Autumn 2021
Author Information
Brian Inglis is Senior Lecturer in Music and BA Music Programme Leader, Department of Performing Arts, Middlesex University UK. Barry Smith is a former Organist and Master of the Choristers at St George’s Cathedral Cape Town and Associate Professor in the Faculty of Music at Cape Town University. He is President of the Peter Warlock Society.
