Kafka's Last Trial: The Case of a Literary Legacy

Author:   Benjamin Balint
Publisher:   Pan Macmillan
ISBN:  

9781509836727


Pages:   304
Publication Date:   20 September 2018
Recommended Age:   From 18 years
Format:   Paperback
Availability:   In Print   Availability explained
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.

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Kafka's Last Trial: The Case of a Literary Legacy


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Author:   Benjamin Balint
Publisher:   Pan Macmillan
Imprint:   Picador
Dimensions:   Width: 15.30cm , Height: 2.10cm , Length: 23.40cm
Weight:   0.399kg
ISBN:  

9781509836727


ISBN 10:   1509836721
Pages:   304
Publication Date:   20 September 2018
Recommended Age:   From 18 years
Audience:   General/trade ,  General
Format:   Paperback
Publisher's Status:   Active
Availability:   In Print   Availability explained
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.

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Reviews

Though Benjamin Balint's masterful hunt for Kafka's rightful ownership begins as a local dispute in an Israeli Family Court, it soon thickens into modernity's most bitterly contentious cultural conundrum . . . Searing questions of language, of personal bequest, of friendship, of biographical evidence, of national pride, of justice, of deceit and betrayal, even of metaphysical allegiance, burn through Balint's scrupulous trackings of Kafka's final standing before the law. -- Cynthia Ozick, Orange prize-shortlisted author of <i>Foreign Bodies</i> Thrilling and profound, Kafka's Last Trial shines new light not only on the greatest writer of the twentieth century and the fate of his work, but also on the larger question of who owns art or has a right to claim guardianship of it . . . [Balint's] research and lively intelligence deliver insights on every page. -- Nicole Krauss


Though Benjamin Balint's masterful hunt for Kafka's rightful ownership begins as a local dispute in an Israeli Family Court, it soon thickens into modernity's most bitterly contentious cultural conundrum . . . Searing questions of language, of personal bequest, of friendship, of biographical evidence, of national pride, of justice, of deceit and betrayal, even of metaphysical allegiance, burn through Balint's scrupulous trackings of Kafka's final standing before the law. -- Cynthia Ozick, Orange prize-shortlisted author of <i>Foreign Bodies</i> Thrilling and profound, Kafka's Last Trial shines new light not only on the greatest writer of the 20th century and the fate of his work, but also on the larger question of who owns art or has a right to claim guardianship of it . . . [Balint's] research and lively intelligence deliver insights on every page. -- Nicole Krauss


Dramatic and illuminating . . . raises momentous questions about nationality, religion, literature, and even the Holocaust. * The Atlantic * Though Benjamin Balint's masterful hunt for Kafka's rightful ownership begins as a local dispute in an Israeli Family Court, it soon thickens into modernity's most bitterly contentious cultural conundrum . . . Searing questions of language, of personal bequest, of friendship, of biographical evidence, of national pride, of justice, of deceit and betrayal, even of metaphysical allegiance, burn through Balint's scrupulous trackings of Kafka's final standing before the law. -- Cynthia Ozick, Orange prize-shortlisted author of <i>Foreign Bodies</i> Thrilling and profound, Kafka's Last Trial shines new light not only on the greatest writer of the twentieth century and the fate of his work, but also on the larger question of who owns art or has a right to claim guardianship of it . . . [Balint's] research and lively intelligence deliver insights on every page. -- Nicole Krauss


Though Benjamin Balint's masterful hunt for Kafka's rightful ownership begins as a local dispute in an Israeli Family Court, it soon thickens into modernity's most bitterly contentious cultural conundrum . . . Searing questions of language, of personal bequest, of friendship, of biographical evidence, of national pride, of justice, of deceit and betrayal, even of metaphysical allegiance, burn through Balint's scrupulous trackings of Kafka's final standing before the law. -- Cynthia Ozick, Orange prize-shortlisted author of <i>Foreign Bodies</i> Thrilling and profound, Kafka's Last Trial shines new light not only on the greatest writer of the 20th century and the fate of his work, but also on the larger question of who owns art or has a right to claim guardianship of it. Balint combines the sharp eye of the courtroom journalist with the keen meditations of a literary and cultural thinker, and his research and lively intelligence deliver insights on every page. -- Nicole Krauss


The question of who owns Kafka is at the heart of Benjamin Balint's thought-provoking and assiduously researched Kafka's Last Trial. * Literary Review * Dramatic and illuminating . . . raises momentous questions about nationality, religion, literature, and even the Holocaust. * The Atlantic * Who should inherit Kafka? . . . Searing questions of language, of personal bequest, of friendship, of biographical evidence, of national pride, of justice, of deceit and betrayal, even of metaphysical allegiance, burn through Balint's scrupulous trackings of Kafka's final standing before the law. -- Cynthia Ozick, Orange prize-shortlisted author of <i>Foreign Bodies</i> Thrilling and profound, Kafka's Last Trial shines new light not only on the greatest writer of the twentieth century and the fate of his work, but also on the larger question of who owns art or has a right to claim guardianship of it . . . [Balint's] research and lively intelligence deliver insights on every page. -- Nicole Krauss


Author Information

Benjamin Balint taught literature, including Kafka, at the Bard College humanities programme at Al-Quds University in Jerusalem. His first book, Running Commentary, was published by PublicAffairs in 2010. His second book, Jerusalem: City of the Book is co-authored with Merav Mack. His reviews and essays regularly appear in the Wall Street Journal, Die Zeit, Haaretz, the Weekly Standard, and the Claremont Review of Books. His translations of Hebrew poetry have appeared in the New Yorker and in Poetry International.

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