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Overviewjump the gun digs deep intothe dark undercurrents of grief and gun violence that shadow our daily lives in America. These poems uprootthe hiddenrecesses of life, the stages and struggles of womanhood, and our continual fight against violence, both internal and external, in the U.S. today. The speaker in thesepoems wrestles with the everyday fears and realities we often try to ignore:thecomplex expectationsplaced on young girls and mothers alike, the illusion of childhood innocence,andthe very realconsequences of our environmental destruction. Split into twosections-with poems that layer blood-soaked images between close-ups of thebody anddomestic life-this collection deftly illustrates the beauty that can befound intragedy, thefragility of the natural world, and the resilience of the human relationshipsthat fill it. To read jump the gunis to witness yourself through the crosshairs. In Malboeuf's words, ""What hityou has become you. /Pieces of the bullet embedded / in your skin. Even / that which you come from /will never be thesame. / But from violence comes / the tides, the seasons."" Full Product DetailsAuthor: Jennie MalboeufPublisher: BOA Editions, Limited Imprint: BOA Editions, Limited ISBN: 9781960145413ISBN 10: 196014541 Pages: 70 Publication Date: 29 May 2025 Audience: General/trade , General Format: Paperback Publisher's Status: Active Availability: Not yet available ![]() This item is yet to be released. You can pre-order this item and we will dispatch it to you upon its release. Table of ContentsI. Sex and Violence Climate Environment Etymology of Gun The Brass Bell My Father Tells the Story of Seeing Tanya Tucker Dancing on a Bar How to Drive in Snow The Mirror of God Is Only Glass Litany Marigolds Piety New Town The Part of My Father Will Be Played by Jack Nicholson Every Time You Type Moth, You Type Mother The Book of Eyes In Vivo Paradox Girl on Girl Aging Luster Lakes of the Other Carolina Year of the Bonfires The Human Animal animals making music The Questionmark Butterfly Invasion Prophesy II. Hiatus thaw The Mass Shooter of the Day Lived on My Childhood Street (another) Reinvention of the Beginning of the Universe Prosperity Algorithm Land and Sky As Soon as We Are Born We Start to Die Appellation Before Christening 5 Stork making a man blonde boy epiphany Trigger Warning Pentecost Pastoral of the Upland South Culling Jeremiad The Two Near-Deaths of My Father Like the Resurrection of Roseanne Vanitas The Position of the Sun in the Sky Far Cry Attrition The Year We Met No ideas but in objects The Future The Birth of the Moon AcknowledgmentsReviews“jump the gun is made of sharp and beautiful poems. There is a striking fullness to the lives, experiences, and landscapes within these pages, all told with arresting clarity—‘Enough of mirrors. They are water,’ Jennie Malboeuf writes. As incisive as it is lyrical, as vast as it is intimate, this book is a force.” —Chloe Honum, author of The Lantern Room Jennie Malboeuf’s jump the gun, is a book of temporal distortions, sudden jumps, hesitations, slowed and sped up lines, that take the reader through a complex of registers circling gun culture, violence, family, and the natural world, in often startling juxtapositions. It’s a formally thrilling collection, even as the content moves from lyrically beautiful to starkly brutal. ‘I’m so tired of the pattern of snow then rain. Irony after irony, your / suffering then mine handed / back and forth,’ Malboeuf writes, and I feel that tension, that inevitable ‘back and forth’ throughout the book, the closely observed violences enacted daily, directly presented, forcing us to look at ourselves, this world we’ve made. But even at its most unflinchingly conflicted, with ‘The father in father clothes. / The mother in mother hair,’ it’s filled with empathy, as this imperative to look, to remember, to see the world’s violence and misfortune, is also to remind ourselves that it’s also filled with creation, continuance. It’s a deeply humane book, one I’ve been utterly captivated by.” —John Gallaher, author of Brand New Spacesuit “jump the gun is made of sharp and beautiful poems. There is a striking fullness to the lives, experiences, and landscapes within these pages, all told with arresting clarity—‘Enough of mirrors. They are water,’ Jennie Malboeuf writes. As incisive as it is lyrical, as vast as it is intimate, this book is a force.” —Chloe Honum, author of The Lantern Room “Jennie Malboeuf’s jump the gun, is a book of temporal distortions, sudden jumps, hesitations, slowed and sped up lines, that take the reader through a complex of registers circling gun culture, violence, family, and the natural world, in often startling juxtapositions. It’s a formally thrilling collection, even as the content moves from lyrically beautiful to starkly brutal. ‘I’m so tired of the pattern of snow then rain. Irony after irony, your / suffering then mine handed / back and forth,’ Malboeuf writes, and I feel that tension, that inevitable ‘back and forth’ throughout the book, the closely observed violences enacted daily, directly presented, forcing us to look at ourselves, this world we’ve made. But even at its most unflinchingly conflicted, with ‘The father in father clothes. / The mother in mother hair,’ it’s filled with empathy, as this imperative to look, to remember, to see the world’s violence and misfortune, is also to remind ourselves that it’s also filled with creation, continuance. It’s a deeply humane book, one I’ve been utterly captivated by.” —John Gallaher, author of Brand New Spacesuit “jump the gun is made of sharp and beautiful poems. There is a striking fullness to the lives, experiences, and landscapes within these pages, all told with arresting clarity—‘Enough of mirrors. They are water,’ Jennie Malboeuf writes. As incisive as it is lyrical, as vast as it is intimate, this book is a force.” —Chloe Honum, author of The Lantern Room “Jennie Malboeuf’s jump the gun, is a book of temporal distortions, sudden jumps, hesitations, slowed and sped up lines, that take the reader through a complex of registers circling gun culture, violence, family, and the natural world, in often startling juxtapositions. It’s a formally thrilling collection, even as the content moves from lyrically beautiful to starkly brutal. ‘I’m so tired of the pattern of snow then rain. Irony after irony, your / suffering then mine handed / back and forth,’ Malboeuf writes, and I feel that tension, that inevitable ‘back and forth’ throughout the book, the closely observed violences enacted daily, directly presented, forcing us to look at ourselves, this world we’ve made. But even at its most unflinchingly conflicted, with ‘The father in father clothes. / The mother in mother hair,’ it’s filled with empathy, as this imperative to look, to remember, to see the world’s violence and misfortune, is also to remind ourselves that it’s also filled with creation, continuance. It’s a deeply humane book, one I’ve been utterly captivated by.” —John Gallaher, author of Brand New Spacesuit Author InformationJennieMalboeuf is theauthor of jump the gun, forthcomingfrom (BOA Editions, 2025), and God had abody, awarded the 2019 Blue Light Books Prize by Adrian Matejka (Indiana UPand the Indiana Review, 2020). Her poems have appeared in Pleiades, The Gettysburg Review, Virginia QuarterlyReview, The Southern Review, and HarvardReview. Born and raised in Kentucky, she received a BA at Centre Collegeand an MFA at the University of North Carolina at Greensboro and is therecipient of a 2020 NC Arts Council Fellowship. She lives in Kentucky with herhusband, son, and dog. 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