Overview

Julia Child’s TV show, The French Chef, was extraordinarily popular during its broadcast from 1963 until 1973. Child became a cultural icon in the 1960s, and, in the years since, she and her show have remained enduring influences on American cooking, American television, and American culture. In this concise book, Dana Polan considers what made Child’s program such a success. It was not the first televised cooking show, but it did define and popularize the genre. Polan examines the development of the show, its day-to-day production, and its critical and fan reception. He argues that The French Chef changed the conventions of television’s culinary culture by rendering personality indispensable. Child was energetic and enthusiastic, and her cooking lessons were never just about food preparation, although she was an effective and unpretentious instructor. They were also about social mobility, the discovery of foreign culture, and a personal enjoyment and fulfillment that promised to transcend domestic drudgery. Polan situates Julia Child and The French Chef in their historical and cultural moment, while never losing sight of Child’s unique personality and captivating on-air presence.

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9780822348597

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Reviews

Julia Child's The French Chef is a fabulous book filled with delicious nuggets about the television series that changed what Americans ate - and what Americans watched on television. The book is both entertaining and informative, and it is timely, for it has been fifty years since the series first aired. Dana Polan is as bright, insightful, and companionable as was the television series. Bravo! Andrew F. Smith, Editor, The Oxford Encyclopedia of Food and Drink in America In Julia Child's The French Chef, Dana Polan offers a fascinating new perspective on Child and her on-air persona. He demonstrates the crucial interplay among the celebrity (Julia), handler (her husband, Paul), and producer (the public television station WGBH), and the way they all came together into such a magical whole. This investigation is an important contribution to our understanding of Child's seminal role in shaping American attitudes toward food. Darra Goldstein, Editor in Chief, Gastronomica: The Journal of Food and Culture With a refreshing intellectual passion, Dana Polan offers a compelling glimpse into the industrial and cultural ethos of Julia Child and her television show, The French Chef. Polan carefully delineates a model for how to study the media through an individual program, and in so doing, demonstrates the value of studying popular culture in a theoretically and methodologically rigorous way. Essential for those in food and food-related studies, this insightful and engaging book will also be a must-read for media studies scholars. - Sarah Banet-Weiser, author of Kids Rule! Nickelodeon and Consumer Citizenship

Julia Child's The French Chef is a fabulous book filled with delicious nuggets about the television series that changed what Americans ate--and what Americans watched on television. The book is both entertaining and informative, and it is timely, for it has been fifty years since the series first aired. Dana Polan is as bright, insightful, and companionable as was the television series. Bravo! --Andrew F. Smith, Editor, The Oxford Encyclopedia of Food and Drink in America

With a refreshing intellectual passion, Dana Polan offers a compelling glimpse into the industrial and cultural ethos of Julia Child and her television show, The French Chef . Polan carefully delineates a model for how to study the media through an individual program, and in so doing, provides a definitive reason for the need to study popular culture in a theoretically and methodologically rigorous way. Essential for those in food and food-related studies, this insightful and engaging book will also be a must-read for media studies scholars. --Sarah Banet-Weiser, author of Kids Rule!: Nickelodeon and Consumer Citizenship

Author Information

Dana Polan is Professor of Cinema Studies at New York University. He is the author of The Sopranos, also published by Duke University Press, and Scenes of Instruction: The Beginnings of the U.S. Study of Film.

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