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“The poems in Juan Luna’s Revolver are captivating, incisive, and at times, deceivingly pointed. But this is for the best. When you read Igloria’s verses, you feel that your existence is imbued with some rich and resonant meaning once again. This is especially true for her fellow Filipinos who are eternally it seems, searching for a higher relevance in what is a forbidding life landscape.” —Allen Gaborro, Philippine News “Igloria's triumph is that, beyond the cinematic beauty of her verse, she places her audience squarely in the situation of cultural strangers, putting a face upon the 'foreigner' that mirrors our own. When we witness the Other in extremis, we also see ourselves.” —Virginian Pilot “In sure and compelling measures, with richly textured turns, and attending to the mystery of matter, Luisa Igloria’s poems offer a powerfully tangible world, and a world within, and a world beyond.” —Scott Cairns, author of Compass of Affection: Poems New and Selected “When I read a Luisa Igloria poem, a bright enchanted light falls over my being. Juan Luna’s Revolver is Igloria’s best work to date. These poems never let us forget they are wrought from an immigrant's love for family, country, and the history of the reinvented self.” —Virgil Suarez, author of 90 Miles ""In Juan Luna's Revolver, Luisa Igloria establishes herself as a singular and revelatory voice in American poetry. Here, she explores the dichotomy of Filipino: interwoven yet hermetically singular, acquisitive yet inventive, docile yet amok. Her engrossing poems hide, behind their gorgeous scrims, a bristling wall of spears."" —Sabina Murray, author of Forgery, A Carnivore's Inquiry, and The Caprices

In Juan Luna's Revolver, Luisa Igloria establishes herself as a singular and revelatory voice in American poetry. Here, she explores the dichotomy of Filipino: interwoven yet hermetically singular, acquisitive yet inventive, docile yet amok. Her engrossing poems hide, behind their gorgeous scrims, a bristling wall of spears. -Sabina Murray, author of Forgery, A Carnivore's Inquiry, and The Caprices When I read a Luisa Igloria poem, a bright enchanted light falls over my being. Juan Luna's Revolver is Igloria's best work to date. These poems never let us forget they are wrought from an immigrant's love for family, country, and the history of the reinvented self. -Virgil Suarez, author of 90 Miles In sure and compelling measures, with richly textured turns, and attending to the mystery of matter, Luisa Igloria's poems offer a powerfully tangible world, and a world within, and a world beyond. -Scott Cairns, author of Compass of Affection: Poems New and Selected Igloria's triumph is that, beyond the cinematic beauty of her verse, she places her audience squarely in the situation of cultural strangers, putting a face upon the 'foreigner' that mirrors our own. When we witness the Other in extremis, we also see ourselves. -Virginian Pilot The poems in Juan Luna's Revolver are captivating, incisive, and at times, deceivingly pointed. But this is for the best. When you read Igloria's verses, you feel that your existence is imbued with some rich and resonant meaning once again. This is especially true for her fellow Filipinos who are eternally it seems, searching for a higher relevance in what is a forbidding life landscape. -Allen Gaborro, Philippine News

Author Information

Luisa A. Igloria is an associate professor in the MFA creative writing program at Old Dominion University. The winner of numerous national and international creative writing awards, she is the author of nine books.

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