Overview

On March 20, 1760, a fire broke out in the Cornhill district of Boston, destroying nearly 350 buildings in its wake. One of the ruined shops belonged to the eminent Boston bookseller Daniel Henchman, who had published some of Jonathan Edwards's most important works, including The Life of Brainerd in 1749. Less than one year after the Great Fire of 1760, Henchman died. Edwards's chief printer Samuel Kneeland and literary agent and editor, Thomas Foxcroft, had also passed away by the end of the decade, marking the end of an era. Throughout Edwards's lifetime, and in the years after his death in 1758, most of the first editions of his books had been published in Boston. But with the deaths of Henchman, Kneeland, and Foxcroft, the publications of Edwards's writings shifted to Britain, where a new crop of booksellers, printers, and editors took on the task of issuing posthumous editions and reprints of his books. In Jonathan Edwards and Transatlantic Print Culture, religious historian Jonathan Yeager tells the story of how Edwards's works were published, including the people who were involved in their publication and their motivations. This book explores what the printing, publishing, and editing of Jonathan Edwards's publications can tell us about religious print culture in the eighteenth century, how the way that his books were put together shaped society's understanding of him as an author, and how details such as the formats, costs, quality of paper, length, bindings, and the number of reprints and abridgements of his works affected their reception.

Full Product Details

9780190248062

Table of Contents

Reviews

An admirably comprehensive study that sheds light on both Jonathan Edwards and the history of transatlantic publishing. Yeager's insightful book reveals Edwards's deep debts to the printers and booksellers who marketed his works. --Catherine Brekus, Harvard Divinity School Jonathan Yeager shows us Jonathan Edwards in a new light, the illuminating consequences of his meticulous history of how Edwards appeared 'in print' in the eighteenth century. A major contribution to our understanding of the book trades in early America, and of Edwards himself. --David D. Hall, Bartlett Research Professor of New England Church History, Harvard Divinity School Building on preliminary work on Edwards's reception in the intellectual worlds of early modern Europe and America, and on studies of the various editions of his works, Yeager is the first to explore, in a systematic way, the intersection of Edwards's writings and print culture, his publishers, printers, and editors through the eighteenth century. Joining a material culture approach with the history of the book, we have here an entirely new perspective on Edwards as an early evangelical writer and spokesperson. --Kenneth P. Minkema, Executive Editor & Director, Jonathan Edwards Center, Yale University

Author Information

Jonathan Yeager is UC Foundation Associate Professor of Religion at the University of Tennessee at Chattanooga.

Tab Content 6

Customer Reviews

Recent Reviews

Countries Available