Overview

This volume brings silkscreens on canvas from the early 1990s and film still collages from the 1990s and 2009 together for the first time. An essay by art critic and cultural commentator Michael Bracewell looks at the connections within Stezaker's practice.

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9781905464302

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Writer, novelist and cultural commentator Michael Bracewell was born in London in 1958. Educated at the University of Nottingham, he has worked for the British Council in London. His first novel, The Crypto-Amnesia Club, was published in 1988. It was followed by Divine Concepts of Physical Beauty (1989), The Conclave (1992) and Saint Rachel (1995). His most recent novel, Perfect Tense (2001), explores the minutiae of office life. His non-fiction includes a cultural history of England, England Is Mine: Pop Life in Albion From Wilde to Goldie (1997) and his writing is included in The Faber Book of Pop (1995) and The Penguin Book of Twentieth-Century Fashion Writing (1999). He writes about contemporary art for Frieze and has also written exhibition catalogues for contemporary artists including Sam Taylor-Wood, Ian Davenport and Gilbert & George. He has written and presented two documentaries for BBC television, a profile of Oscar Wilde and a film about architectural historian Nikolaus Pevsner's guide to Surrey. Michael Bracewell has written a non-fiction portrait of the last decade of the 20th century, entitled The Nineties: When Surface was Depth in 2002, and several books about Roxy Music, the latest being Roxy: The Band That Invented an Era (2008).

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