John Cage and David Tudor: Correspondence on Interpretation and Performance

Author:   Martin Iddon (University of Leeds)
Publisher:   Cambridge University Press
ISBN:  

9781107014329


Pages:   240
Publication Date:   07 March 2013
Format:   Hardback
Availability:   Manufactured on demand   Availability explained
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John Cage and David Tudor: Correspondence on Interpretation and Performance


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Full Product Details

Author:   Martin Iddon (University of Leeds)
Publisher:   Cambridge University Press
Imprint:   Cambridge University Press
Dimensions:   Width: 17.00cm , Height: 1.40cm , Length: 24.40cm
Weight:   0.580kg
ISBN:  

9781107014329


ISBN 10:   1107014328
Pages:   240
Publication Date:   07 March 2013
Audience:   Professional and scholarly ,  Professional and scholarly ,  Professional & Vocational ,  Professional & Vocational
Format:   Hardback
Publisher's Status:   Active
Availability:   Manufactured on demand   Availability explained
We will order this item for you from a manufactured on demand supplier.

Table of Contents

1. The music of chance; 2. Correspondence, 1951–3; 3. Determining the determinate; 4. Determining the indeterminate; 5. Correspondence, 1958–62; 6. (In)determining the indeterminate; 7. Correspondence, 1965–89; 8. 'Late' realizations; 9. Praxis and poiesis in indeterminate music.

Reviews

'… one is impressed by both Tudor's commitment and Iddon's persistence … Recommended. Upper-level undergraduates and above; general readers.' J. Behrens, Choice


There is no other such study so thorough, indeed no other collection of primary materials which approaches this one in depth. Nor a study full of such useful and informative contextualisation and commentary for that matter. It's a major contribution to its specific area, and to scholarship on one of the major fields in twentieth century musical development. Very well produced, it carries a strong recommendation. --Classical Net


Author Information

Martin Iddon is Associate Professor of Music at the University of Leeds. He previously lectured at University College Cork and Lancaster University, and studied composition and musicology at the Universities of Durham and Cambridge. His musicological research largely focuses on post-war music in Germany and the United States of America and has been published in numerous leading journals, including Musical Quarterly, twentieth-century music and the Contemporary Music Review. His music has been performed in Europe, North America and Australasia and has been featured on BBC Radio 3, Radio New Zealand and the Österreichischer Rundfunk.

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