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OverviewJohn Barth represents most completely what has been termed postmodernism, not because his work comprises more postmodernist features than other contemporary writers but because, for Barth, ""life"" and ""art"" are two sides of the same coin. In this brief study, first published in 1987, Heide Ziegler examines all Barth’s novels. She argues that each pair of novels first ""exhausts"" and then ""replenishes"" those literary genres that hinge on a particular world view: the existentialist novel, the Bildungsroman, the Kunstlerroman, or the realistic novel. Through the division of labour between character and author Barth manages to develop a new mode of literary parody which projects itself beyond the mocked literary model and even self-parody into the realm of future fiction. This book is ideal for students of literature and postmodern studies. Full Product DetailsAuthor: Heide ZieglerPublisher: Taylor & Francis Ltd Imprint: Routledge Weight: 0.340kg ISBN: 9781138829916ISBN 10: 1138829919 Pages: 96 Publication Date: 24 October 2014 Audience: College/higher education , Tertiary & Higher Education , Undergraduate Format: Hardback Publisher's Status: Active Availability: In Print ![]() This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us. Table of ContentsAcknowledgements; A note on the texts; 1. Introduction: The sense of an ending 2. The supra-existentialist novel: The Floating Opera and The End of the Road 3. The supra-Bildungsroman: The Sot-Weed Factor and Giles Goat-Boy 4. The supra-Kunstlerroman: Lost in the Funhouse and Chimera 5. The supra-realistic novel: LETTERS and Sabbatical 6. Conclusion: The sense of a beginning; Notes; BibliographyReviewsAuthor InformationHeide Ziegler Tab Content 6Author Website:Countries AvailableAll regions |