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OverviewThis is an accessible introduction to jingju (Beijing/Peking opera) which presents readers with an analysis of the different components of its aesthetic form in the context of its ongoing cultural history. It traces the history of jingju from its origin during the 1790s to its present-day status as one of the few theatrical forms to enjoy nation-wide popularity in China. In 2010, UNESCO placed it on the Representative List of the Intangible Heritage of Humanity. This book traces jingju’s history through three lenses. Firstly, it introduces the stage practices that shape a jingju production—including the use of music, acting style, visual components and staging, and dramatic narrative—and details for the reader the practitioner’s experience during the developmental creative process, in rehearsals and behind the curtain. Secondly, it illustrates jingju’s development with close analyses of case studies, and sheds light on the process of jingju’s transformation into its contemporary form. Lastly, it defines and interprets jingju’s notion of the beautiful and how this sense of beauty is communicated through stylization. Full Product DetailsAuthor: Xing Fan (University of Toronto, Canada) , Simon Shepherd (Royal Central School of Speech & Drama, University of London, UK)Publisher: Bloomsbury Publishing PLC Imprint: Methuen Drama ISBN: 9781350174689ISBN 10: 1350174688 Pages: 232 Publication Date: 19 February 2026 Audience: College/higher education , Tertiary & Higher Education Format: Hardback Publisher's Status: Active Availability: Manufactured on demand We will order this item for you from a manufactured on demand supplier. Table of ContentsList of Illustrations List of Tables Series Preface Overture Chapter 1. Performance Practice: Music, Acting, Visual Components, Play Text, and Mounting Productions Chapter 2. Performance History: “Huangqiang,” “Pihuang,” “Luantan,” “Guoju,” and “Jingju” Coda Bibliography IndexReviewsAuthor InformationXing Fan is Associate Professor of Asian Theatre and Performance Studies in the Centre for Drama, Theatre, and Performance Studies at the University of Toronto, Canada. A specialist in Chinese drama, theatre, and performance culture, she received training in jingju acting at the Academy of Chinese Traditional Theatre and the University of Hawai‘i at Manoa. Tab Content 6Author Website:Countries AvailableAll regions |
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