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Awards
OverviewFull Product DetailsAuthor: Assaf Shelleg (Israeli Visiting Assistant Professor in the Jewish Studies Program, Israeli Visiting Assistant Professor in the Jewish Studies Program, University of Virginia, Charlottesville)Publisher: Oxford University Press Inc Imprint: Oxford University Press Inc Dimensions: Width: 24.10cm , Height: 2.60cm , Length: 16.50cm Weight: 0.535kg ISBN: 9780199354948ISBN 10: 0199354944 Pages: 304 Publication Date: 11 December 2014 Audience: College/higher education , Professional and scholarly , Tertiary & Higher Education , Professional & Vocational Format: Hardback Publisher's Status: Active Availability: To order ![]() Stock availability from the supplier is unknown. We will order it for you and ship this item to you once it is received by us. Table of ContentsTABLE OF CONTENTS Abbreviations Acknowledgments Introduction: Jewish Contiguities; Translocated Pasts Facing the Levant 1. Hava Nagila? Decentering the Eastern European Soundscape Jewish Inversions Aesthetic Confines Rethinking Bloch Disarticulating Jewishness Historiographical Silhouettes Control Cases In Lieu of a Summary 2. From Pre- to Post-Statehood: Hebrewism Diluted Ringing the Bells and Whistles of the Zionist Project: National Musical Onomatopoeias Adjacent yet Oppositional: Subversive Hebrewists Statehood and the Demise of Romanticist Nationalism Destabilizing Western Metaphors of the East Consuming the Source Thematic Incongruities (or, Violating Kairological Time) 3. 1960s-1970s: Articulating Jewishness in Israeli Art Music 1967 Enter the New Pioneers The Multivocal Negation of the Diaspora and its Dissolution Avni: Counterpointing Modes of Memory Epitaph for Whom? Kopytman: Transcribing Jewish Heterophonies Hebrewism Diluted: Judaism Deterritorialized Muting Oneself 4. Reshuffling Historiographical Cards Notes IndexReviewsJewish Contiguities and the Soundtrack of Israeli History is a complex, bold and highly original study of the history of art music in pre- and post-state Israel. With an exceptional erudition in each field he brings to bear (musicology, Hebrew literature, Israel history, cultural studies) and superb command over the musical metier, Assaf Shelleg stages an arresting narrative about a unique musical modernism, adding an exemplary chapter to our understanding of how music negotiates with nationalism, exoticism, and dislocation, gradually allowing for a repressed sonic past to emerge into a vexed foreground. -Ruth HaCohen, Artur Rubinstein Professor of Musicology, the Hebrew University of Jerusalem This path-breaking book demolishes old myths about Israeli music's origins; transforms our understanding of the relationship between Jews, antisemitism, and classical music; and introduces a powerful new voice into the field of Israeli cultural history. -James Loeffler, Associate Professor of History at the University of Virginia and author of The Most Musical Nation: Jews and Culture in the Late Russian Empire Assaf Shelleg's inspiring study of Israeli music is an impressive investigation and important contribution to Jewish Studies, Israel studies, music, and cultural studies. Shelleg problematizes the issues of Israeli culture through the aesthetic and cultural desires of composers searching for non-European based sounds and interrogates composers' attempts to create Israeli musical culture in dialogue with Middle Eastern sound aesthetics. Shelleg's methodology is sophisticated and his writing is eloquent. Jewish Contiguities and the Soundtrack of Israeli History casts the world of composers, their music and audience, as well as Israeli culture into the complex history of Israel in the twentieth century. We have no doubt this book will be read for years to come. It will be a catalyst for other conversations based on Shelleg's intriguing inquiry into Israeli culture and music. --Association for Jewish Studies awards committee Jewish Contiguities and the Soundtrack of Israeli History is a complex, bold and highly original study of the history of art music in pre- and post-state Israel. With an exceptional erudition in each field he brings to bear (musicology, Hebrew literature, Israel history, cultural studies) and superb command over the musical metier, Assaf Shelleg stages an arresting narrative about a unique musical modernism, adding an exemplary chapter to our understanding of how music negotiates with nationalism, exoticism, and dislocation, gradually allowing for a repressed sonic past to emerge into a vexed foreground. -Ruth HaCohen, Artur Rubinstein Professor of Musicology, the Hebrew University of Jerusalem This path-breaking book demolishes old myths about Israeli music's origins; transforms our understanding of the relationship between Jews, antisemitism, and classical music; and introduces a powerful new voice into the field of Israeli cultural history. -James Loeffler, Associate Professor of History at the University of Virginia and author of The Most Musical Nation: Jews and Culture in the Late Russian Empire Author InformationAssaf Shelleg, an Israeli musicologist and pianist, is a senior lecturer of musicology at The Hebrew University of Jerusalem. He was previously the Schusterman Visiting Assistant Professor of Musicology and Jewish Studies in the Department of Religious Studies at the University of Virginia (2011-14), and had taught prior to that as the visiting Efroymson Scholar in the Jewish, Islamic & Near Eastern Languages and Cultures Department at Washington University in St. Louis (2009-11). Shelleg specializes in twentieth-century Jewish and Israeli art music and has published in some of the leading journals in both musicology and Israel Studies on topics ranging from the historiography of modern Jewish art music to the theological networks of Israeli art music. Shelleg is also a regular musical contributor to Haaretz newspaper. Tab Content 6Author Website:Countries AvailableAll regions |